Posted in Uncategorized

End of year WIP Parade 2020

Hi Everyone

*Big Sigh* Wow, what a year it’s been! Happy holidays and happy new year to all of you. I hope all of you have been able to celebrate the holidays as well as practical. I’m so thankful that this year is ending very differently to what last year because this time last year in Australia – especially along the East and Southern coast – so much was on fire. Now, as I’m writing this post, I’m at the coast with my boyfriend and we can breath easy, the sun it out and it’s a lot more comfortable (weather wise) than last year!

I’ve been doing a lot of stitching this month and trying to get myself a bit more organised for the new year. I’ve been working a lot from home, so my motivation to spend more time than necessary in front of the computer screen and my craft room has been reduced significantly. I’ve also been battling analysis paralysis with some of my computer related cross stitch tasks and confidence levels for ‘putting myself out there’ on social media. But it’s a necessary evil if I want things to progress!

I’ve also been running a bit more which has been good. I’ve got a new pair of shoes that have bluetooth in them that enables them to talk to the Map My Run app. As I’m running, the app gives me feedback on how I’m running and what I can do to improve it! For example, I might be looking down at my feet too much because of something that’s interfering with the footpath (plants, uneven sections etc.). The app will tell me that I need to straighten my back up a bit and pretend that there’s a string attached to the top of my head like a puppet. Straightening up should help with the way I place my feet when running and reduce my risk of injuries and make running feel less like an effort.

WIP Parade

But without further adieu, here is my WIP (works in progress) parade for 2020. It will include many patterns you have seen over the year and a few new ones:

12 Days of Christmas designed by Rhona Norrie

It’s been a long time since I last worked on this project. I’m thinking it must have been June or July this year when I started it and I haven’t touched it until about a week ago, for the lead up to Christmas.

Ryan’s been a good boy designed by Durene Jones

Similar to the 12 Days of Christmas project, I haven’t worked on it since June or July this year and as part of getting into the Christmas mood, this project came out again and got some love.

Gundaroo Mini Mushrooms designed by Kristen Gawronski for Hot Cross Stitching

I have been working steadily on this project for a while now and towards the end of November, maybe early December, I finished another page (que mini happy dance!). I’m now working on the bottom of the project and playing fabric chicken to see if I need to add more fabric.

Meanwhile, the images below show the progress of the project over the course of this year, with the final image showing what it will look like when it’s finished.

Black and White Rolled-up Daisy designed by Kristen Gawronski for Hot Cross Stitching

As excited as I am to have started this project and even happier that it went smoothly into Pattern Keeper, I’m already needing to fudge things to figure out where I went wrong and what I’ve accidentally marked off.

Pink Daisy (November or December new start) designed by Kristen Gawronski for Hot Cross Stitching

I had been procrastinating this start for way too long. I had been debating about starting this project and another one I’m still trying to perfect the pattern before I’m happy with starting it, let alone releasing it for sale.

Start of Pink Daisy – Designed by Kristen Gawronski for Hot Cross Stitching
Pink Daisy – what the pattern should look like when it’s finished

Gingerbread Train designed by Shannon Christine

I haven’t worked on this project since June or July this year. When I was going through my projects in preparation for this post, I was reminded of how cool this pattern is and how much I want to eat jelly lollies when I’m stitching it!

Boo Sheet (November new start and finish)

This particular pattern had been a free one as part of the online Mittagong Stitcher’s Retreat I had been part of in late November. I was able to get it stitched in about 2 days and I stitched it on 32 evenweave I had purchased from Spotlight and dyed using orange and purple fabric dyes, also from Spotlight.

Curglaff (November new start) designed by Bendy Stitchy

I have been wanting to stitch this pattern for a while. It’s designed by Bendy Stitchy (check out her YouTube channel) and inspired by Mich Stitch (she also has a YouTube channel)! At the end of each episode, Mich reads a random word from a dictionary she has on old English words that are rarely or no longer used, and ‘curglaugh’ had been one of those words.

I’m stitching it on the same fabric as Boo Sheet and this time I’m using some specialty threads that are made by Aussies! I’m really excited about this because I’m supporting an Aussie business and I’ve never used such fancy threads before. I predominantly use DMC and Anchor because they’re readily available and aren’t as expensive as the specialty threads. That said, these threads are well worth it! They are beautiful and I appreciate the time and effort the team has gone through to create and package the threads.

Curglaff designed by Bendy Stitchy (C) 2020
Cottage Garden Threads

Fight Like a Girl designed by Tanya Amity, Illustration by Elena Gnedkova

It’s been way too long since I’ve worked on this project. The good thing is that it’s included in my new WIPGO board for 2021. When the squares for this project have been called, I’ll hopefully be able to get a lot more work done on it!

Check out the related posts section for more information on WIPGO.

Autumn Castle designed by Evgenia Kolesnikova

This project has received a very little bit of love in November, but nothing substantial enough to notice much of a difference. Similarly to ‘Fight Like a Girl’, it’s on my WIPGO Board and it will get some more love in 2021!

The first three pictures below show what the project will look like when it’s completed and what my earlier progress had been at key points during 2020. The fourth picture is my progress as of December 2020.

Progress as of December 2020

Three Dogs by Luca S.

This project has not been loved for some time and it’s long overdue to get some attention. Thankfully it’s on my WIPGO board and it will get the attention it deserves next year!

Trio of dogs progress

Moon Lit Waters Heaven and Earths Designs

Whenever I look at this project, I’m reminded of why I started stitching it and then when I start work on it again, I’m reminded why I paused it. Which explains why I haven’t worked on it for a while and why I need to do more on it.

Merry Colourful Christmas by Tilton Crafts (December new start)

This is a very new start, so I don’t have any comparison pictures. I’m currently stitching it on 25 count (I think) and using all DMC threads. I’m using two threads over two squares and I’m playing a bit of fabric chicken with this project because I haven’t properly measured it out!

Merry Colourful / Merry Christmas designed by Tilton Crafts
Cover page of pattern by Tilton Crafts

Moonlight Owls designed by Jenny Barton

Honestly, I forgot about this project when I first started drafting this post. Thankfully, drafting this post has meant that I’ve remembered that I have this project and I now have it in the same bag as the projects 12 Days of Christmas, Ryan’s been a good boy and Gingerbread Train.

Rainbow Zebras by Artecy Cross Stitch

Like Midnight Owls, I forgot I had this as an active WIP! How could I forget something as colourful as this?! Because I’ve forgotten about this project, it hasn’t seen much attention, but that will change in 2021.

Barnyard Cats by Dimensions

I completely forgot about this project. It didn’t even make to my WIPGO board! That said, like the Trio of dogs, I’ll try and include it when the number 13 is called and it can get some attention then!

Four Seasons Kittens by Dimensions Gold Collection

This project has been dragging on for longer than what it really should be. Thankfully I have remembered to include it in my WIPGO board and it will get some attention next year!

Until next time,

Happy Stitching and Happy New Year!

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Posted in Tips and Tricks

Why do you procrastinate your cross stitch?

Hi Everyone

I’ve been having a bad case of analysis paralysis over two projects I’m keen to start but scared to at the same time. Which has me wondering how many other stitchers have similar experiences?

Finding the right piece of fabric

Having the right piece of fabric for a pattern can make the world of difference with the finish for the project. This can range from the count size to the physical dimensions and ensuring there’s enough of a border to help with finishing it – e.g. framing. It can also be the colour of the fabric. Many people have trouble with stitching on dark fabric regardless of what the count size is and how awesome the project may look on that colour.

I’m currently stitching a project on a 32 count Belfast linen that I’ve dyed myself and I’m finding that without some really good light and regular breaks from it, my eyes are getting tired and I’m struggling to properly focus.

This is the linen I’m stitching on that requires good light and regular breaks.

I had considered using this fabric for my Dew Drop Daisy project, but seeing how my current projects are working out on it, I’ve made the right decision not to use it for Dew Drop!

Hand dyed purple fabric by Kristen Gawronski

I’m also considering using the purple fabric I’ve dyed myself for Dew Drop Daisy or the Pink Bottlebrush (aka the Pink Grevillea). It’s roughly 25 count fabric and I don’t think I have enough fabric for the pattern. That has me wondering, ‘should I adjust the pattern to fit the fabric?’ or ‘purchase the fabric I need for the pattern?’

It’s a daunting pattern

It may be your first Heaven and Earth Design or similar pattern and you may not know where to start. Or there’s a lot of colour changes and you may not have all of the tools you need to make a start. Alternatively, you’re working on a Chatelaine (see European Cross Stitch Company) and they are beautiful, big and challenging in a positive way. Check out the Flosstube channels Teresa Little Stitcher and Jessie Marie Does Stuff – both of them are working on Chatelaine’s and they’re going to be beautiful!

In my case, one of the patterns I want to work on is huge and I’m wanting it to be part of the Hot Cross Stitching collection. So my challenge is to try and reduce the size of the pattern and number of colours required without losing any of the key features that make it such a good looking picture. If I don’t make any changes to the picture, I would need over a meter’s worth of material (including enough to frame it) and over 300 threads. Some of those threads would be for just 1 stitch! To me that’s not cool and if the pattern is going to be part of the Hot Cross Stitching collection, then some significant changes need to be made!

Too many patterns to choose from

How big is your collection? Are you in a situation where you have many patterns to choose from, but none of them are pulling at your hands to say ‘stich me!’, ‘stitch me!’?Which results in spending a lot of time on the internet or your local craft store searching for a pattern that grabs your attention. Alternatively, are all of the patterns wanting you to stitch them at the same time?

I’ve certainly told myself on multiple occasions that I’m not going to purchase another pattern until I’ve finished some of the ones I’m currently working on. Let alone started ones that have been in my collection for many years. Then I see an ad or I’m told about a designer or pattern that looks really cool. Before I know it, I’m looking things up and buttons are pressed and I have another PDF pattern in my collection!

The good things is that I’m not alone in this. I regularly hear people in the stitching community talking about ‘being enabled’ by other stitchers. It’s what we do and one of the best forms of marketing!

Time, space and health

Work and / or family may be your key focus at the moment, and the main time you have to set aside for yourself is when you’re tired and need to rest. If you do have some flexibility with your time and money, space to do your stitching and store your supplies may be limited because of where you live. Alternatively, there may be other factors affecting your ability to try and stitch. Some of which may be associated with the current crisis the world is experiencing.

Personally, I’ve lost a little bit of my stitching mojo because of some discomfort I’ve been experiencing with my right wrist. I’m right hand dominant and a few weeks ago I spent nearly all day stitching and I haven’t done something like that for a very long time. It resulted in my wrist letting me know that it wasn’t happy about it! My wrist is on the mend thankfully, but it put a bit of a dent in my desire to stitch.

Another example is my analysis paralysis about the work I’m doing and what work I need to do next. Ultimately, it’s my fear factor and my logic of the world that is stopping me from doing what I need to do.

Mistakes are made in the project

Mistakes regularly happen in stitching projects – hence the term ‘frogging’, we are regularly ‘ripping’ things out because we’ve mis-counted or used the wrong colour thread. Some people draw the line at how much frogging they do and consider the mistakes as personalisations rather than mistakes and leave them as they are. Which is where fudging happens – working around the personalisation to make it fit into the rest of the pattern.

However, how significant is the mistake that it causes you to pause it and procrastinate? Is the project off my a number of squares and you don’t know where the mistake happened? Alternatively, the mistake happened a while ago and you’re too far gone to frog it and personalising it is significantly difficult? Stitching over the mistake to try and correct it makes the stitches look really bulky and more often than not, the underlying colour shows through revealing the cover-up.

Another mistake could be the mis-calculation of fabric and you’re about to run out of fabric just when the pattern gets exciting. Adding more fabric to where you need it, but there’s the risk of the stitches not holding the join. Or you and non-stitchers can see the crease or join line. The image below is a perfect example of this.

Example of a project where I’m most likely going to run out of fabric.

I had been working on it for quite some time and I’ve put it on an extended pause because of the amount of fabric I have compared with the amount I still have to stitch. You will also notice that I don’t have any space above my stitching at the top of the pattern. If I choose to frame this project, I may need professional help!

Something got lost

Have you lost a part of the pattern or something critical to help you start or finish the project?

I have a zebra project that I started many years ago and I may not pick up again because I lost half of the pattern, and as Murphys’ Law would have it, that’s the part I need to finish the project!

Half finished Zebra project

I have considered purchasing a second kit so that I could finish the project. It would also mean that I would have additional fabric and thread. How awful right?! More fabric and thread! I had also considered and tried as you can see in the above image, trying to stitch the pattern off the cover page. It started becoming a bit difficult because the cover page is framed and I’m thinking it may partly covered by the frame the finished project is in.

As a result, I’m pausing it because I have a lot of other projects I’m enjoying and I’ve started the Rainbow Zebras (my name for the project), so I’m still getting my Zebra fix!

Are you comfortable with this procrastination?

The key question though, is how comfortable do you want to be with your procrastination and reasons why you’re procrastinating? If you jumped in and tested the waters, what could go wrong and what could go right? Are the things that could go right, scarier than the things that could go wrong?

If you don’t do anything with the procrastination, then nothing really happens. Ultimately, you’re stuck. Are you okay with this?

However, if you do make a start on the project or pick it up again, then you have the opportunity to make things right – if there’s an error in the project – or you at least start moving forward. By making things right, you’re no longer feeling uncomfortable because of the procrastination. You have the opportunity to see if your worries or fears are founded. You also have the opportunity to see how awesome the project actually is. It could even be something you’re proud of and want to tell people about!

Until next time,

Happy Stitching.

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