Posted in WIP's and Plans

Stitchmas in July and Anything Goes August

Hi Everyone

As I’m writing this post it is raining outside. Beautiful, steady rain! I haven’t kept track of when I last heard the rain like this and I’m making the most of it. Since my boyfriend and I have been working from home since March, it’s been a long time since we’ve had the windows open to freshen up the house. Mostly because it’s winter at the moment and we’ve had the heater going. Recently we’ve had some really nice winter days in Canberra, where there’s been barely a breath of wind and we’ve been able to feel the warmth of the sun – especially when we’re inside, sitting on the couch in the sun!

That said, whenever I’ve come back from being outside and taken a few layers of clothing off, the house has smelt stale. Also, there’s something about hearing the steady rain and the freshness it brings that I absolutely love!

On a more serious note though, Australia’s getting its second wave of the pandemic and it feels like it’s getting to be a bit close to home. Some hot spots popped up at the south coast (about 2 hours drive south-east from home) – the same area where some of the bush fires were at end of last year / start of this year – because of the easing of restrictions. It felt a bit close to home because Canberra has been really lucky so far to have a low number of reported cases when compared with other states and regions. Also, my boyfriend and I have been heading to the coast nearly every second weekend and reports of the second wave starting in Victoria were beginning to be reported in the news – some of whom may have been at the south coast and the places we like to eat at! Lastly, my mum and boyfriend had been at the coast (at separate times) around the times that the hot spots were really heating up. Thankfully everyone I know who has been to the coast is okay. I’m okay. It just means that we’re really not comfortable with heading to the coast until the hot spots have calmed down and they’ve been given the all clear. Also, it’s a regional area and we don’t want to put any unnecessary pressure on their healthcare system should things turn again.

Now to lighten things up again and lets get into some cross stitch talk and updates!

Stitchmas in July wrap up

Confession – I stopped stitching on Christmas themed projects nearly halfway through July because I’d been working on most of them since June, if not May as well. So the updates I have below are a bit dated, but you should still see a bit of a difference!

Gingerbread Train – designed by Shannon Wasilieff (aka Shannon Christine Designs)

The image on the left is my progress from the end of June. The picture in the middle is my progress as of today (26th July 2020) and the image on the right is what it will look like at the end.

On the first day of Christmas (12 Days of Christmas) – designed by Rhona Norrie

The recommended navy blue fabric looks really good for this design. But I didn’t have enough navy blue for the height of the design. So I’m stitching it on a similar count in a lighter colour. The longer image on the right is pretty much the full height of the fabric. You will also see in the closer up image that I’m stitching it with two strands over two squares/holes, in all of the called for DMC colours. One of the things that really bugs me with this design is that the seven looks like an upside down two. I don’t know how hard it is to chart the number seven to make it work with this pattern and I don’t have the skill at the moment to change it.

Santa’s Coming – designed by Durene Jones

It’s been about a month between pictures. I like how it’s progressing. I’m still feeling undecided about the colours, which may explain why I’m feeling a bit ho-hum about stitching it at the moment. That said, in the finished picture on the right, the colours are looking really good! I’m hoping that as I continue with the project, I’ll fall back in love with it!

Christmas Owls (Christmas Cuddles) – designed by Jenny Barton

My progress with this one hasn’t really changed much since the end of June when I took the picture on the left. The lighting for the picture on the right makes it look a lot brighter and washed out than what it really is. It will be nice to get this one done.

Anything Goes August (aka Arbitrary August)

I’ve had this title in my mind for the last week or so and I’d completely forgotten that this was actually a thing in the Flosstube world, but called Arbitrary August which means the same thing – to me anyway!

Gundaroo Mini Mushrooms – designed by Kristen Gawronski

Since mid-July I’ve been wanting to stitch on things that I want to stitch on rather than any other reason. Which is where the ‘anything goes August’ kicks in. Also, I’ve had a hankering (desire, craving) to stitch on my Gundaroo Mini Mushrooms project because it wasn’t Christmas related, I felt like I needed more of a challenge and I hadn’t stitched on it for a long time. At least it felt that way. I had done some stitching on it in May and it felt like a chore then. Below is my progress…

The two images of stitch is as of today (26th July 2020). Currently I’m working on page 1 and I’m really thankful that I have a lot more space at the top of the project than I had initially thought I would. It will be interesting to see how I go when I eventually start working on the lower half. I may have to crop it a bit…

Fight Like a Girl – designed by Tania Amity

I’ve really gotten into my groove with this one and I’ve made a lot of progress on it over the last couple of weeks. One of the strange things with this one – and I think a lot of it is to do with the way the DMC colours have been dyed rather than the charting – is that there is meant to be a lot more variation in the windows (I think) on either side of the blond girl, as you will see below:

Moon Lit Waters Fairy – artwork by Julie Fain and design by Michelle Sayetta

For the majority of yesterday I was working on this project and it reminded me of how much I love using the app Pattern Keeper! And how slow going HAED’s are!

The two images on the left are the progress I’ve made since I last worked on the project which is third from the left.

Plans for the rest of July and August

I’m definitely going to take things as they come for the next month and a half – month at least. It will help me to figure out what I might want to do for September. Earlier this year I may have mentioned that September could be the month to work on some smalls and get myself organised for October. I’m really looking forward to stitching on some more Halloween themed project! I may move back to some of Christmas themed projects and others that I had started in May. I may even be tempted to start some of the digital patterns I’ve purchased over the last few months. Who knows!?!

Meanwhile…

When I’ve been listening to and watching some Flosstube episodes, I’ve found it interesting when they start talking about prompts they have gotten from the other stitching groups they’re part of on social media, to explain why they’ve worked on certain pieces and the amount of stitches they’ve completed. Which has me thinking about my next post…

Until next time,

Happy stitching!

Posted in Uncategorized

Why should you learn how to cross stitch?

Hi Everyone

Have you been contemplating learning to cross stitch but used some of the following reasons not to try it?

  • It’s too hard…
  • That’s what my grandma/elderly relative did…
  • I don’t have the time for it…
  • Isn’t it expensive?
  • I tried it and it’s just not for me…
  • It’s too girly…
  • I don’t have the patience for it…

Some of these reasons may be legitimate and you may have found your creative outlet that fits within your lifestyle. I hope this is the case if cross stitch is legitimately not for you.

However…if you have used any of the above excuses and not really given cross stitch a go, here are some reasons why you should!

1. You’re stuck in your head

You may also be thinking that there are so many other things that are great stress relievers. Some legal…some not so legal. Running for example is a great way to get rid of any excess energy you may have caused by so many different things. At the moment, my muscles are giving me grief, so it’s causing me more grief than what it should be. But humour me for a moment and lets say your chosen physical exercise has helped you as much as it can for today. But you’re still feeling stressed or anxious and you don’t want to undo all of the awesome work you’ve done with your physical release. This is where cross stitch comes into play.

2. It’s as time consuming as you want it to be

When was the last time you learnt something new that wasn’t because of work or because you had to, rather because you wanted to? Also, how long are you expecting cross stitch to take? Are you wanting to complete a project in one sitting or are you wanting it to take some time to see the end result?

Depending on who you talk to, some people may argue that they find it a hassle to get it out of the spot they store it when they’re not working on it. Depending on what your home situation is like, the amount of space you have and the size of your project, I can understand why it will seem like a hassle. My counter argument is how big is your project and is there a smaller project you could be working on that doesn’t require as much space?

When you next remember to, have a look around your home and see if there’s a corner or space that you can setup a space for yourself to stitch in. If you have a dedicated space, it may make it easier for you to sit down there and spend as much time as you have available there.

3. You can be as extroverted or introverted as you like

Our current climate is making life a bit difficult with catching up with people and doing anything fun. If you’re needing human interaction, there are numerous forums on a broad range of platforms that enable you to engage with fellow cross stitchers. Some of these forums include:

  • Virtual Stitchers (YouTube)
  • Cross Stitch Forum – Facebook
  • Cross Stitch Australia – Facebook
  • Cross Stitch Addicts – Facebook
  • Cross Stitch Unlimited – Facebook
  • Stitch Maynia – Facebook

Also, check out the related reads at the end of this post for some more suggestions.

4. It’s an opportunity to feel good

When was the last time you created something from scratch and felt good about the end result? You may have cooked a meal by following a recipe, repurposed some furniture or painted a room. It may have involved a bit of hard work because you may not have done it before or it took a bit of elbow grease. But in the end, it came out pretty good. That’s what cross stitch can be like. When you’re stitching, you are creating something out of nothing and giving a space some new life. When you have finished a page or section in the pattern that may have been challenging or the entire project, it feels really good because you persevered and achieved something.

5. It’s only as hard as you make it – stitch what you like

When you’re learning to do anything, at first it can seem daunting. Cross stitch patterns can look confusing with all of their different symbols and colour combinations. But it has evolved so much since you last saw someone doing it that technology has joined the party. Some designers use coloured squares in conjunction with the symbols to help stitchers clearly see the pattern and what colours go where.

When you have found a pattern that you really want to stitch, you will be amazed by how quickly you get through it. Or at least how often you find yourself wanting to stitch it if you’ve chosen to stitch a huge project! I have certainly found over the years that if I’m really not feeling the love for a project, it becomes a chore and I don’t really want to work on it any more.

Then there’s the app Pattern Keeper. If you have chosen a pattern that’s compatible with this app, it will make your life so much easier with reading the pattern and keeping track of where you are.

But wait…there’s more!

These reasons for why you should try cross stitch is just the tip of the iceberg. My aim with this post was to add to what so many awesome people have already written about and I’ve tried to keep this post as light hearted as possible.

To me, cross stitch is a way of being creative when I have the time and getting out of my head and focusing on just one thing – the pattern and what colour I’m going to stitch next. It doesn’t always work. I still have times when I’m still stuck in my head because my thoughts are getting to me and I need to talk to someone. Which is why I love being able to catch up face to face or virtually with like minded family and friends who enjoy stitching as much as I do. It’s also good to talk to someone if your thoughts are becoming too hard to handle on your own and you’ve done as much as you can in a health and safe way.

Also, cross stitch is just one of the many different creative avenues that people can use to be creative. Check out the related reads below to see a bit more about how cross stitch may be able to help you find your creative side.

Until next time,

Happy Stitching!

Related reads:

Posted in Uncategorized

Can you get a grant for cross stitch?

Hi Everyone

At the end of June this year, it came to my attention that if I were part of a community group, organisation or on my own (as long as it was not to make money), I could apply for a grant from my local government that could be used for improving the mental health of my community! This particular grant I have in mind, is specific to the current pandemic and wave of infections we’re all trying to avoid.

But it got me thinking…aside from the Mental Health and Wellbeing Innovation Grants Program, what other grants are available for the creative arts that can assist with our current environment, let alone the creative arts generally speaking?

Artwork Archive Complete Guide to 2020 Artist Grants & Opportunities

This site is amazing! The Artwork Archive have listed all of the grants and opportunities that they consider to the be the best for artists who are needing a helping hand in some shape or form. The opportunities are from around the world and some are specific to people who are living in a specific area, region or country and in some circumstances, the type of art that’s being done. The list is in order of deadline date and I think is worth checking out!

Advance-Africa – 1000+ Artist Grants and Opportunities

This site lists a looong list of creative grants and opportunities – over 1000 as the heading says – that are connected to Africa. They also have scholarships and volunteer options for different areas of Africa.

VicArts Grants – Creative Victoria

This site is a little closer to home for me because it’s Victoria, Australia. This grant, like many of the others in this post are for a variety creative arts. Ranging from theatre productions to concerts to art installations such as sculptures and paintings.

Just the tip of the iceberg

The grants mentioned in this post are just a sample of the huge variety grants out there. If you’re having trouble deciding on what grant to apply for, here are a few things to consider:

  • Why are you applying for the grant?
  • What are you going to use it for?
  • How is it going to help you?
  • What are the conditions with the grant?
  • Is it the right grant for you?
  • Is it possible for it to benefit others as well?
  • What work do you need to do to prepare for the grant?
  • How are you going to prove you’ve used the grant the way you said you would?

There are a lot of questions and potentially more that you may need to ask yourself and others who may be involved.

How do you apply for a grant?

This depends greatly upon what type of grant you’re applying for and why. Some grants may require you to submit a portfolio of your work to prove your abilities and how you may use the grant. Others may require you to provide the panel or board with a cover sheet or series of forms similar to a job application.

The awesome thing is that there are numerous websites and guides on how to apply for grants. The related links section provides you with some links to sites that can help you with this process. Additionally, the sites you go to, to apply for the grant of your choice will have supporting documents on what criteria you need to meet to be considered for the grant.

You have successfully received a grant! Now what?

If I were prepared for it, I would apply for the grant I mentioned at the start of this post. It would be used to try and bring my local community together to hang out and do cross stitch and learn how to do cross stitch. Some of the funds could go towards gift cards for people to use to purchase the supplies they need to start or complete a project. Whilst other funds could go towards gift vouchers for people to purchase food and drink from local cafes that they can eat and drink whilst stitching.

But that’s what I would do. Have you successfully received a grant? What did you do with it? How did it help you?

Until next time,

Happy stitching!

Related Links:

Posted in Uncategorized

How do you do your fandom cross stitch?

Hi Everyone,

There are a variety of ways we can celebrate our favourite movies, artists, songs, sporting teams, athletes and characters by creating bookmarks, quotes with beautiful borders and immortalizing through portraits to name a few. What’s inspired this post is some digital patterns I’ve recently purchased from Tilton Crafts Cross Stitch and Heaven and Earth Designs.

Where to get your fandom cross stitch

Who or what do you want to immortalise? When I’ve done some Google searches to see what’s out there, I’ve loved seeing the wide variety of options out there. I’ve found cute little caricatures of characters from popular television shows, famous musicians, sports stars and even your own family members and pets! Then there’s been the logos of various sports teams from various football codes, athletics, fishing, hockey (field and ice) and most other sports you can think of – let alone the action shots that go with those sports.

Full Coverage, realistic

Once you know this, you can then figure out how you want it to look. I prefer to have my fandom projects to look as much like the character or person as possible. This usually means that the project will be solid with at least some confetti stitching. An example of this is one of the patterns I purchased from Tilton Crafts cross stitch pattern of Robin Williams:

Cross Stitch Chart by Tilton Crafts, adapted from art by Emily Stepp
“Soccer Mom” designed by Jane Wooster Scott, charted by Heaven and Earth Designs

If you like this style of fandom, it’s definitely worth checking out their website to see what else they have!

Cartoons and smaller pieces

The less detailed the piece, the easier and quicker it is to stitch. But it can also mean a lot more back-stitch to give the detail it needs. I’ve found so many pieces on Etsy by many talented designers, heaps of different fandom cross stitch designs that will hopefully fit with your preferences.

HardKnotLife Studio for example, has a store on Etsy and they have created a beautiful cross stitch pattern based upon a watercolour picture of the four main characters of ‘The Wizard of Oz’:

‘Watercolour Wizard of Oz’ by HardKnotLife Studio

If monochrome is more your style, you may like the next example by PitbullAndFish who also have a store on Etsy and have designed the following pattern titled ‘Jack Skellington Silhouette’:

‘Jack Skellington Silhouette’ by PitbullAndFish on Etsy

The great thing with this type of pattern is that you can stitch it on whatever colour fabric you want and use whatever colour thread you want. For example, you might choose to stitch it on orange fabric with black thread, white fabric with variegated thread or any combination you want.

Samplers and getting wordy

Do you have a favourite quote from a movie, song, television show, sports commentator or something you heard or saw but you’re not sure who said it? This is where subversive cross stitch comes into play. The Clouds Factory for example, have some great patterns they have created based upon quotes from movies such as ‘V is for Vendetta’, ‘Hocus Pocus’, ‘Doctor Who’ and the rules from the ‘Gremlins’.

Alternatively, stitching iconic logos/emblems and images from your favourite show/movie/sport etc. with a few words are a great way to express your fandom. SewMarieStudio for example, is another store on Etsy that does just this and below are some examples of their awesome work:

How would you celebrate your fandom?

If you weren’t able to find any patterns that suited what you’re after, would you create your own fandom pattern? I’ve certainly considered doing this with some of the shows I love watching and converting some of the images I’ve found on the Internet to cross stitch patterns. I haven’t done anything yet and it would be for my own personal use. I would have no intention of re-creating the patterns for sale to make money.

What would you stitch to express your fandom?

Until next time,

Happy Stitching!

Related links:

Posted in WIP's and Plans

Jolly June and Stitchmas in July Progress

Hi Everyone

By the time you’re reading this post we will be nearing the end of June and my boyfriend and I have had a weekend at the coast. It’s been a topsy-turvy few weeks for us – especially my boyfriend. In the space of two weeks, he was told that his contract was finishing at the end of June because funding had been cut. He was then told a week after the first phone call, that the project was too important and that funding had been re-instated for the project, as well as his contract! Whilst all of that was happening, his new car arrived and he was having all kinds of fun getting it registered in Canberra (it had been trucked up from Melbourne, Victoria – roughly 6 to 8 hours drive away).

Whilst the drama was happening for my boyfriend, I got to head down to the coast a couple of weekends ago on my own and catch up with my parents which was good. It had been about 10 years since I’d travelled to the coast on my own! I use to do the trip regularly on my own as a way of recharging my batteries and hibernating from the world. As much as I missed my boyfriend, it was good for him to have the thinking space he needed. Because he was able to decide what he wanted to do with the job loss (before we found out he’d been offered the job back) and make some really positive decisions.

Meanwhile, as I’m writing this post, the clouds are starting to come over and the rain we’ve been anticipating should be starting to make it’s self known. Which means that I should be getting some more stitching in. My friend and I have started up our stitch ‘n’ bitch sessions again as restrictions are being lifted even more in Canberra and surrounds. Our aim is to alternate between each other’s places on most Saturdays, with the flexibility of postponing it if we have appointments, are needing to/wanting to travel etc. It was a really good start to the weekend, because the hilarity leading up to our catch-ups, we had been living about half an hour away from each other, but were Skyping because of the social and travel restrictions 🙂

Stitching progress

Since my last post about Jolly June and Stitchmas in July, I’ve been working on:

  • Gundaroo Mini Mushroom
  • Fight Like a Girl
  • Autumn Castle
  • Candy Express
  • Santa’s Coming
  • Zebras

Gundaroo Mini Mushroom designed by Kristen Gawronski

I know this has nothing to do with a Christmas theme. It is something that makes me happy as I continue to make progress with it. One of the things I found after working on it for so long, is that the pattern has the same symbol for two different colours! How on earth did I manage to miss that?! I’ve decided to go with the greener tone and it should blend in well.

Fight Like a Girl designed by Tanya Amity

Again, not a Christmas theme project and one that’s not bringing me much joy once I start stitching it. Some of the things that will help (I hope) is to put the project in a larger hoop. I’ve got so much fabric to deal with because of the size of the project, that if I have it in a larger hoop, I can roll the excess around it until I need to move the hoop. Similar to what people do with Q-snaps and scroll frames.

My other issue with the project is being tired when I’m stitching it. It’s on 18 count navy blue fabric and I’ve adjusted my light so that it’s shining from underneath rather than overhead. It’s helping a bit. But more sleep is definitely needed for when I work on it so that I don’t make as many mistakes when I’m working on it and mis-counting my stitches.

Candy Express designed by Shannon Wasilieff

I’m looking forward to eating some gingerbread when the season kicks in again. I’ve been having fun stitching it and I’m looking forward to finishing it as well! The two main things I’m dreading with this project is the back stitch and beads…As long as I keep reminding myself that it’s worth it at the end, it’ll be okay.

Christmas Owls designed by Jenny Barton

I’ve been working on this project most days for the last week or so and I’m really happy with how it’s progressing. My boyfriend was able to change the light in one of the rooms we hang out in, so that’s helped a bit with stitching at night. One of the things I’m looking forward to with this project is the glow-in-the-dark thread for the moon. It looks just like white DMC thread – either the Blanc or B5200 – and feels quite similar to the cottons. I’ll just have to wait and see how it is when I’m stitching with it!

Santa’s Coming designed by Durene Jones

Last week my aim had been to finish stitching the banner and my nephew Ryan’s name. I’m really happy with how this has worked out. I haven’t had to re-stitch his name and centre it, which I’m super relieved by! I’m already thinking that if I stitch this pattern again, I might change some of the colours to different shades or tones of what you’re seeing in the images below to make them bolder. The challenge will be making sure they don’t clash.

Autumn Castle designed by Evgenia Kolesnikova

I’ve slowly eased up on stitching this project. I’m still enjoying it. It has however become a little like the Fight Like a Girl project because of the amount of errors I’ve made with it so far. Something I really had not expected and I’m quite disappointed by the number of mistakes I’ve made with it so far because it’s on pink fabric and in a larger hoop! Like Fight Like a Girl, stitching on it when I’m tired is most likely the main reason why I’ve made so may errors with it. I’m just thankful that it’s a solid piece and that I’ve been stitching long enough to be able to blend my mistakes in with the rest of the project, without frogging it too much and it working out in the end.

Zebras by Design Works

I feel like I’m losing my mojo with this project, which I’m surprised by because it’s so colourful! Interestingly, the images below of the updated progress show just how stiff the Aida is – but that’s Aida to a tee! In the updated images, you may notice that the project isn’t in a hoop and it’s held its shape. I should have ironed the project before taking the pictures. I do like how the fabric frames what I’ve done so far. What do you think?

Something funny…

Every so often when I’m browsing through Pinterest I’ll come across some really cool subversive cross stitch that I think suits me to a tee. The one I recently came across is shown below:

Screen shot of a subversive design found on Pinterest

Anyone who knows me well or has seen my desk at work, knows that to the untrained eye, my desk or home looks like a bomb hit it. To me, it’s organised mess and 90% of the time I know where things are. The question is whether you can wait about 5 minutes for me to get it to you?

The other subversive cross stitch I came across that makes me chuckle when I read it is:

Designed by Solemprobler on Etsy

My sense of humour can be quite dry at times and I try to use sarcasm to defuse a situation and lighten it. If my death isn’t caused by my sarcasm, it’ll be caused by my head being in the clouds and off with the fairies daydreaming, resulting in me not paying attention to where I’m going or what I’m doing!

Until next time,

Happy Stitching!

Posted in Tips and Tricks

What does a crafty de-stash in the digital age look like?

Hi Everyone

Last year I went to a craft de-stash was held roughly every three months or so, that’s roughly a 20 minute drive away from where I live in Canberra, ACT. It was interesting to see what crafty things were for sale and it gave me an insight to what tools, patterns and projects were popular many moons ago. There were quite a lot of stalls that had various styles of stamps for card making or scrapbooking, quilting or dress making fabric, dress making patterns, some scrapbooking papers, folk art and knitting supplies.

As I’m writing this post and reflecting on the last paragraph, I realise I’ve talked about this a little bit in an earlier post about the possibility of our projects having a shelf life. However, this post is somewhat different because I’m curious about how our de-stashing will look like and be in the years to come.

Digital vs Physical De-Stash

Our craft is very much a tactile, physical thing that can be replaced with an electronic version, but it’s not the same. On the Internet there are apps that we can download and we can pretend that we are doing digital stitches by pressing buttons on our screens. What we love about our craft through, is feeling the fabric, the needles (as much as it might hurt when we poke ourselves!), the floss and holding the projects in our hands. We don’t have the glare of our screens – unless we’re using Pattern Keeper and it’s a different story then!

What I’m questioning here is how will our destash look in the future as we go ever deeper down the digital rabbit hole?

I love the PDF patterns that many designers and shops provide. I also love the instant gratification of being able to download the pattern as soon as I’ve paid for it and our current climate very well. But what if I want to move the pattern onto someone else? Especially if I’ve already stitched it or I have stitches remorse and my tastes have changed over time and I’m not interested in stitching the pattern any more?

For physical patterns and kits for as long as we’ve all been doing cross stitch, we’ve been giving away our stashes or selling them for a small amount of money to recoup the costs of the initial purchase. Theoretically, this should be the same for digital patterns – especially if they’re out of stock and the designer is unable to or not wanting to release or create more copies of the pattern.

The Internet

Thankfully there are soooo many different ways in which we can connect via the internet and with the movement towards digital patterns for many of our crafty things, theoretically it’s easier to transfer or share what’s in our stash that we want to get rid of. A quick Google search has found a number of sites that could assist you with any stash you might want to get rid of. The two main sites I found was the Etsy Destash Market and Facebook Cross Stitch Destash Group.

The great thing with these two groups and many others like it is that it’s for anything connected to cross stitch that people have in their stash. Ranging from patterns and kits through to needle minders, fabric, floss or threads and anything in between!

Stitchy-kindness

On Flosstube I’ve heard people talk about Stitchy-kindness, where they have received some things in the mail from viewers and friends who had been thinking about them and some stitching related things that they might like. Similarly, I’ve heard people talking about exchanges or swaps that people have participated in that has enabled them to swap some threads for fabric or a pattern for a needle minder. Things like that.

Be aware of Copyright with your de-stash

Ninety-nine percent of us are honest people and we want to do the right thing (I think). When we are looking to move on some of stash – especially if it’s something that’s out of print, theoretically there should be no harm in asking for some money from our years of collecting and creating. Especially since the Facebook and Etsy links show people asking for some money for the stash they are wanting to move on. My point here is more about not to making a profit out of the re-sale if you’re not a business and trying to make a living out of it.

The conundrum is what can of worms am I opening up by mentioning copyright?

ThreadBare.com wrote a really good article on the legalities around this dilemma, published on 24th August 2017 titled “Cross-Stitching Legalities: Copyright, Artwork, Licencing and Copying.” It’s a really well written article and I’ve learnt a lot from it especially when Thread Bare talk about the Digital Millenium Copyright Act and the reason why there is such as big price difference between some of the websites that sell the PDF patterns. It’s important to note that Thread Bare are strong advocates for promoting the fair and legal use of images on the internet and ensuring that any images acquired for cross stitch patterns have been purchased from a licensed and reputable source.

It’s also important to note that if you find an image on the internet that you think will make a really good cross stitch pattern, I agree with what Thread Bare were saying in their article, and make sure you take all reasonable steps to try and find out who the artist is and seek their permission to use that image.

What do you think? What are your experiences with digital de-stashing? What do you think the future holds for the digital world and cross stitch?

Until next time,

Happy Stitching!

Related Posts:

  • How to host a successful Instagram destash – blog post by Blossom Heart Quilts. Posted in March, 2019. Whilst this post talks about the destashing of quilting supplies, the same principles could be applied to any craft – including Cross Stitch!
  • Crafters Destash – website. This may be an alternate option to using social media if you’re wanting to make space in your collection.
Posted in WIP's and Plans

Jolly June and Stitchmas in July

Hi Everyone

I hope you’re all well. By the time I publish this post, many of us in Australia will be half way through/nearing the end of our last long weekend until October. As quickly as those weeks and months will go between now and then, the prospect of there not being a long weekend to have a reprieve from the cold weather, work, life and anything in-between seems daunting. To help put things into perspective with the number of long weekends Australia has, most of ours tend to happen from Christmas/New Year through to June.

That said, in Canberra at least, the week that’s just ending has been my first week to go to the gym and start seeing people I have regularly trained with and seen in the gym face-to-face! I never thought I’d be so excited and happy about setting foot in the gym again and seeing everyone! Seeing some of my training buddies online via Zoom has helped with not feeling so isolated. But there’s something about seeing someone face-to-face – even if you can’t or aren’t meant to – give them a hug, just being around people and being able to start working out with gym equipment felt really, really good.

There’s also been a few times in the last few weeks where I’ve popped into work for a few hours here and there and it was nice to get out of the house. I didn’t enjoy feeling like a pack horse and lugging my work equipment between the office and the car. For cheaper parking, I choose to park my car about 5 to 10 minutes walk away from the office and carrying a laptop bag with the laptop, full keyboard, power cords, mouse and anything else I need gets heavy after a while. I’m estimating it all to be about 2 to 3 kilos. Which doesn’t seem like much, but it feels like 10 kilos by the end of the walk.

Now for the cross stitch stuff

In my last post, I hinted at how I was going to be able to work on some of my projects from Stitch Maynia that I hadn’t been able to spend as much time on. Taking inspiration from Stitch Maynia and Canberra moving well and truly into Winter, I’m aiming to make June and July as colourful and festive as possible. This means making June and July the months I can focus on Christmas related projects and projects that are colourful, make me happy and I really enjoy stitching.

Christmas Stitches

It’s not going to be a nutty as what Stitch Maynia felt like. At the moment I’m going to be working on finishing the Christmas themed projects I started from the Ultimate Cross Stitch Christmas magazine/book, Volume 19 from 2018. The pictures below are the projects I had started working on – Candy Express and Santa’s Coming, designed by Shannon Wasilieff and Durene Jones.

Tip: Candy Express can also be found on the website Shannon Christine Designs.

Since last week, I spent a bit more time on Santa’s Coming and below is my latest progress. I may need to re-stitch Ryan’s name to centre it a bit more. The long line of crosses you see just above Ryan shows the full width of the banner his name is in. That said, I just need to stitch the apostrophe and the ‘s’, so it may balance it out!

Progress of Santa’s Coming as of 7 June 2020

I’ve also made a start on (and nearly finished) a project that I’ll make into a card or Christmas decoration called Let it Snow by Emma Congdon out of the Ultimate Cross Stitch Christmas magazine/book Volume 19 from 2018.

Design by Emma Congdon – Pattern from Ultimate Christmas Cross Stitch Vol 19 2018

My reason for it being in dark colours is due to it being for one of my work colleagues who wears a lot of black at work and sometimes some pink. For this project I used the DMC 53 varigated thread. Unfortunately I can’t remember what the fabric count is because I’ve had this fabric for a while. I’m guessing it’s 28 count and I’ve stitched it two strands of thread over two ‘strands’ or squares of fabric.

I’ve also learnt my lesson with reducing the amount of rotations I do with this pattern when I’m stitching the border! Check out my recent post called ‘How Many Secrets does your Cross Stitch Hold?’ and you’ll see what I mean.

I’m aiming to continue stitching the Let it Snow pattern a few more times in different varigated threads for my work colleagues so that I feel ready for Christmas time and surprise them. This is also pending that we’ll be all working back in the office!

Jolly June Stitching

Yesterday afternoon I started one of the projects I’d been wanting to start in May – Design Works ‘Zebras’. In my last post, I had called this project Colourful Zebras. That was a mistake on my part. This project is just called Zebras.

Since working on some Dimensions kits, I’m making sure I get into the habit of writing the symbols on the floss cards for any kits I work on. This has made the world of difference! The only sticky point I had with writing the symbols on the card for the Zebras was for two of the holes in the floss card, are two different colours. E.g. a blue and brown in one hole and a purple and green in another. Not a big deal, just something I hadn’t expected! Below is my progress as of 7 June 2020:

So far I’ve been able to stitch around a part of the Zebra’s eye that has a lot of yellow and orange and I’ve stitched a part of the pink on the second Zebra’s forehead and a part of it’s forelock.

Stitchmas Plans

For Christmas in July, my aim is to keep working on Candy Express and Santa’s Coming and the Let it Snow cards. My additional aim is to start on the following patterns – some of which I had kitted up and mostly ready for Stitch Maynia.

Christmas Cuddles

I’ve got this project kitted up and it’s designed by Jenny Burton. Her pattern is in The World of Cross Stitching magazine. Unfortunately I’m unable to properly tell what the volume number is or the year. I had bought it at the same time as the Ultimate Cross Stitch Christmas magazine/book near the end of 2018 at the Batehaven newsagency in New South Wales, Australia.

When Santa got stuck in the chimney

The design is by Emma Congdon out of Ultimate Cross Stitch Christmas book/magazine. I’m yet to kit it up. I like look of the design and the lettering in it so different to what I’ve been use to seeing in designs over the years. I’m curious about how the design process is for such lettering!

On the first day…

This design is by Rhona Norrie from the Ultimate Cross Stitch Christmas magazine/book. I’ve partially kitted this one up because some of the called for colours are being used in other projects.

I think this project and Christmas Cuddles will give me a run for my money with both of them being stitched on navy blue fabric! Thankfully I have a few other projects to alternate between and I have an awesome over-the-top light that will help a lot!

Well, that’s it from me for this week. Until next time,

Happy Stitching!

Posted in Cross Stitch Haul and Stitching Progress, Stitch Maynia, Tips and Tricks, WIP's and Plans

Stitch Maynia Wrap Up

Hi Everyone

I’m not sure about you, but I’m sad that Maynia is coming to an end for this year and a tad relieved. Towards the end I felt like I was trying to keep a number of plates spinning at the top of sticks, by trying to make sure I had spent enough time on all of the projects I had started during May or continuing to work on from previous starts.

Stitch Maynia Stats

In May, I started Fight Like a Girl, Candy Train, Who’s Been Good? and Autumn Castle as my new projects and continued with Moon Lit Fairies, Four Seasons Kittens, Gundaroo Mushroom, Barnyard Kittens and Three Dogs as my continued WIP’s.

Autumn Castle designed by Evgenia Kolesnikova

Most of my time was spent on Autumn Castle designed by Evgenia Kolesnikova. I think I’ve raved about this project before. What I’m loving about it is the colours and it’s something different to what I normally work on. But it makes sense that I’ve started working on something like this, because I love spooky things, ghosts and things relating to the supernatural/paranormal!

I was able to stitch about 884 stitches, which works out to being nearly half a page and I’m stitching it on 18 count pink Aida. When you look at the cover picture, you will see that I’ve started in the top left corner.

Gundaroo Mini Mushroom designed by Kristen Gawonski

I feel like I’ve been working on this project for ages. It doesn’t help that I’ve now got so many other projects to distract me! In May, I was able to work on it for 7 of the 31 days and I was able to get a total of 1000+! I’m actually quite surprised that I got so many stitches in because there were certainly times where I felt guilty for not stitching on this project and I some days I felt like I needed to guilt myself into stitching it because I really wanted to stitch the shiny new ones! The pictures below show my progress and what it will look like when I’m done:

For anyone who’s new to my blog and reading this for the first time, the special thing with this project, is that it’s my own design. The image on the right is a photo that I took on my parents farm at Gundaroo, NSW, Australia and using the software PC Stitch 11, I was able to convert it into a cross stitch pattern. The thing that I’m testing with this project is how well it will turn out on 14 count Aida. My additional aim with this project is to enter it into the Canberra Royal Show. Fingers crossed it gets there!

Fight Like a Girl Designed by Tanya Amity

I’ve really struggled with this project which is surprising me. I really thought that I would have an easier time with getting into it. The main challenges I have with it is the amount of fabric this project potentially needs, the colour of the fabric and how I’ve loaded the pattern into Pattern Keeper.

Tanya has been fantastic with providing me (and I’m assuming anyone who purchases the pattern) with 3 versions of the pattern – black and white without the back stitch and special stitches, a colour version without the back stitch and special stitches and a colour pattern with the back stitch and special stitches. Me not thinking, loaded the whole PDF onto Pattern Keeper and I’ve stitched myself up as a result! Pattern Keeper has done well to interpret the pattern the best way that it can and what I will need to do is see if it’s possible to separate the PDF into the 3 versions and see if that makes any difference for me. The biggest challenge with that will be the way Pattern Keeper interprets the key for the chart. At the moment, Pattern Keeper is able to highlight the symbol on the chart, but at the moment it’s unable to tell me what the corresponding thread colour is. So I’m needing to refer to the paper version and progress from there. Below are the pictures of my progress and the cover picture to show what it will look like completed:

I’m stitching this pattern on 18 count navy blue Aida and I’ve stitched 744 stitches according to Pattern Keeper. The pattern recommends 28 count Navy Blue Lugana. I haven’t figured out how much fabric that would be, but the fabric I am using (from Victoria House Needlecraft) measures 76cm wide by 79cm high. I figure that if I have roughly an 8cm border, I should have enough fabric!

You may notice in the image on the left that I’ve had to do some frogging as part of the struggles I’ve had with mis-counting. A lot of which is to do with me working on it when I’ve been a bit tired and awkward. Because there’s so much fabric (see image on the right), I tend to try and roll it up a bit and have the project up side down and I’m reading the pattern right side up. It’s a weird quirk of how I stitch sometimes, but it works – mostly!

Barnyard Kittens by Dimensions

I’d started this project what feels like ages ago and put it down for a while. When I’d first started it, I had made the wise decision of updating the floss holder by drawing the symbols on it.

Floss card from Barnyard Kittens by Dimensions (kit)

This has helped me so much more than I had initially thought it would. The only reason why I need to refer back to the key on the pattern is when I need to check how many strands of each colour I need to use. And as I’m writing this, I’m making a mental note to add to the floss card, how many strands I need for each symbol. For many Dimensions kits, the number of strands per colour vary from 1 to 3. Sometimes 4. It can also vary in terms of the combination of colours. E.g. 1 strand of white and 3 strands of pink or 1 strand of black and 1 strand of light blue. This helps to create texture and depth to their designs. Below are pictures of how I’ve progressed and what it will look like at the end:

I’ve started in the middle of this project and 90% of the time I’ve stitched this during my lunch break when I’ve had the sun streaming in and it’s felt nice and warm on the couch. I’ve stitched a reasonable 891 stitches on the black 14 count Aida the kit came with. This is definitely one of those projects I need to stitch when I’m awake enough and with plenty of light!

Four Seasons Kittens by Gold Collection Dimensions

This project is taking a lot longer than it should to complete. One of my struggles with this project is that there’s not enough space on the floss card to update it like I’ve done for Barnyard Kittens. I could put all of the details on the other side of the card where there’s nothing printed…I probably should and will after this post!

Meanwhile, I’ve been able to get about 792 stitches in – about 137 of which has been back stitch – and when that’s compared with some of the other projects, my desire to stitch other projects shows! Below is my progress in comparison with the finished picture:

Santa’s Coming! – Designed by Durene Jones

This was a new start and a project I’d been eyeing off since September or so last year. The pattern is in the Ultimate Cross Stitch Christmas magazine/book (volume 19, 2018) that I picked up when I was at coast – before all of the bush fires and “fun” we’ve been experiencing.

I’ve decided to stitch it on some 14 count Aida that I purchased online from the Australian company Threaded Needle and unfortunately I’ve lost the slip that came with the fabric, so I’m not sure what the name of the fabric is. I’m using DMC threads to stitch the pattern and if all goes well, I will hopefully have it finished by Christmas this year!

When I get around to it, one of the challenging things will be stitching my nephew’s name instead of the name Angela, as you may see in the above image on the right. You may also notice with the fabric I’ve chosen to stitch on, is marbled green. This is how the fabric came and why I chose to purchase it.

So far, I’ve been able to stitch about 304 stitches…hmmm. I was not expecting such a low number. I can’t believe that I’ve neglected this project! But I have a plan…check out my next post and you’ll see what I have in store for it!

Candy Express! – Designed by Shannon Wasilieff

This project also comes from the Ultimate Cross Stitch Christmas book/magazine, volume 19, 2018. Every time I look at the finished picture in the book or when I’m looking at the pattern, I just want to eat it! It looks so yummy! That could also be my sweet tooth talking…

Like the ‘Santa’s Coming’ project, I’ve decided to stitch this on the same fabric – 14 count Aida, marbled green (My name for the fabric. I’m still not sure of the exact name). The pattern recommends the use of 28 count sky high evenweave. I have 28 count fabric, but I really like the marbled look the image in the magazine/book has, so that’s why I’ve chosen to go with the 14 count marbled green Aida.

During May, I was able to get 818 stitches done!

Three dogs – Designed by Luca S

I hope I have the designer right for this project. It’s an Anchor kit that I think I purchased through the Fox Collection website many moons ago and I had started it not long after I’d finished a fishing project.

I’ve had a love/grumble relationship with this project. I love that the fabric is pre-gridded. I’ve never stitched on anything like it before. What I’ve struggled with is the thread becoming too thin and breaking. A part of it’s my fault because I’ve had the thread too long for what this thread needs to be. The other thing I’ve struggled with is the background of the project. In hindsight I should have decided to go with half stitch because it would make it so much quicker. Then there’s the colours…so much brown! Especially after stitching some of my other colourful projects.

What I do like about this project is the pattern has been printed on A3 paper and it makes my life a lot easier to see the symbols. Which should mean that I’ve been able to get about 800 or so stitches in…but unfortunately no. I was able to get 631 in.

Moon Lit Waters – Artwork by Julie Fain, charted by Michele Sayetta, Heaven and Earth Designs

For anyone who has been following my blog for a while, will know that I’ve been working on this project for a long time – with limited progress to show for it. At the start of May I purchased the digital copy of this pattern and loaded it into Pattern Keeper. This has been a good thing and a bad thing. Pattern Keeper is awesome! If you haven’t tried it yet, I strongly recommend you give it a go.

The app has made it a lot easier for me to clearly see where the symbols are on the pattern for the colour I’m stitching at the time. I’m able to clearly mark off where I’ve stitched and frog areas that I’ve made mistakes on. What I hadn’t initially counted on, was the incorporation of some new colours that DMC had released within the last 12 months or so. This is where I have a small grumble and yet another page of my project will have a heavy amount of creativity going into it to balance out what I’ve already stitched with the areas that are yet to be stitched. The incorporation of the new colours has meant that the symbols have changed and what colours are stitched where has thrown me off balance by one or two stitches in some places and about 3 to 4 stitches in other places.

Thankfully with HAEDS, there are so many colours that make up the big project, that I can get away with a bit of creative license. And I end up being the only one at the end of the day that has an idea of what I’ve needed to change around. So without further adieu, below is what I’ve stitched during May and what the finished picture will be.

At the moment I have no idea how much I’ve stitched in May and because of how small the crosses are I’m not going to count them all. If anyone knows how I can find the monthly total in Pattern Keeper, please let me know!

What’s next?

Now that May is done and as I’m finishing this post, it’s 1st June 2020 I’m looking to figure out what I’ll do for June and the rest of the year. For June at least I’ll definitely keep working on the WIP’s I now have from May and I’ll stitch what I feel like stitching, rather than needing to keep the projects on a regular rotation.

This month I might also start some of the other projects I had wanted to start in May, but didn’t get around to it. The projects I have in mind are the really colourful ones and a spooky one:

This of course will most likely change. Especially since travel restrictions in Australia are slowly easing. I live in Canberra (aka the Australian Capital Territory (ACT)) – Australia’s capital – and we are surrounded by the State of New South Wales (NSW). As of today, Monday 1st June, we can now travel anywhere we want in NSW and as far as we want in NSW, as long as we abide by social distancing and health and safety requirements! This is huge news for everyone living in NSW and ACT because we can travel to the coast, go bush, go to the snow (when the snow fields open up in about a week or two) and anywhere in between.

What my boyfriend and I are planning on doing is going to the coast as soon as we practically can. We could travel today, but about half of Canberra will be travelling to the coast and we have to work tomorrow (we’re still working from home). Also the weather today is true Canberra winter weather! So we’d rather stay home and enjoy the warmth and comfort of our home and worry about the stresses of travelling later. Practically, we’ll most likely travel to the coast in about 2 weeks. This will give us enough time to get our logistics sorted out and it’s my brother’s birthday next week – Queen’s Birthday long weekend – and he has the coast house booked for that weekend. Lucky duck!

Before I completely wrap things up for this post, I just want to do a quick shout out to Jemma Jones, Dreaming in Aida. Thank you for mentioning me in your post from 17th May 2020! I hope you continue to have such awesome results in your Cross Stitch Diploma Course!

Until next time,

Happy Stitching!

Posted in Stitch Maynia, Tips and Tricks, WIP's and Plans

Stitch Maynia Progress and What I’ve Learnt So Far

Hi Everyone

As I’m writing this post, it’s Sunday 17th May 2020 in Australia and we have about two more weeks until then end of May and a long weekend!

My experience with Stitch Maynia so far has been a whirlwind and I’m now appreciating why so many participants have been talking about making plans and rotations etc. When I’ve watched some of the flosstube clips on Stitch Maynia, I’ve admired people who have known which projects they’re going to work on which days and sticking to those plans. I’ve found that I can plan something within an inch of its life, but executing those plans is something best left to someone else. Alternatively, if someone else has planned something, for the most part I’m able to follow through on those plans. I’ve found that it’s a lot to do with the amount of energy I’m able to apply to either the plans or executing the plans – rarely both!

Progress so far…

With that in mind, a few weeks ago, I had written a post about Stitch Maynia and whether it was better to big, small or medium projects throughout May or to do a combination of all three. I’d also mentioned that I was going to to a mixture of existing WIP’s (works in progress) and new starts. I have been able to stick to that. I have changed a little in terms of what the new starts would be based on what I’m feeling on the day and my available supplies.

For my physical patterns, I’ve found it easier to use a coloured pencil to track which days I’ve stitched on a pattern and how much I’ve stitched. Below is an example of what I’ve done with some of my patterns:

How I use coloured pencils to track how much I’ve stitched on which days

What I haven’t done is properly track (at a quick glance) which patterns I’ve spent what time on and which ones need more attention or starting. I’m thinking that it may be easier to have a printed calendar style page stuck to the wall or a convenient place for me to use the coloured pencils to visually see what’s going on. Below is an example of what I think could work:

SundayMondayTuesdayWednesdayThursdayFridaySaturday
12
Gingerbred Train
(Started – yellow)
3
Autumn Castle
4
Barnyard Kittens (coloured pencil) and
Autumn Castle (coloured pencil)
56
Gundaroo Mini Mushroom (yellow)
7
Gingerbred Train
(Cherry Red)
89
10
Gundaroo Mini Mushroom (Cherry Red)
1112
Barnyard Kittens (yellow)
131415
Fight Like a Girl
(Pattern Keeper)
16
Moon Lit Waters
(Pattern Keeper)
17
Gingerbred Train
(Rose Red)
181920212223
24252627282930
31
Example of calendar style as a visual tracker of what I’ve stitched

Meanwhile, I’ve seen that some people like to use something digital like a spreadsheet or pattern keeper. I’ve also seen some people use a project picker wheel spinner app to help them pick what project to stitch next.

I am using pattern keeper for some of my projects, where the patterns work for that app. What I’m trying to figure out is if the app can tell me when I’ve last worked on a pattern. If you know if the app has that feature and how I can get it to work, I would love to hear about it!

I’m thinking that the project picker wheel spinner app could be useful if I’m undecided about which project to stitch on next – especially when Stitch Maynia comes around next year!

What I’ve learnt…

Having enough tools of the trade

The importance of having enough hoops, needles and needle minders!

Swapping things around for the projects that I’ve not kept a needle, hoop and needle minder with has been challenging. So much so that within the second week of Stitch Maynia, I’ve lost the backs of two needle minders! Thankfully I’ve got some spare magnets that I had purchased a while ago to try and make my own needle minders and it’s made the world of difference.

Preferential Treatment

I’ve also found that I’m starting to preference some of my newer projects for some of my older ones. Mostly because they’re new and exciting and I haven’t lost my interest in them yet. Which is a good thing and a bad thing. The bad thing is that the older projects are getting set aside for longer and one of my goals for the Gundaroo Mini Mushroom project is to have it finished, framed and ready for the next Canberra Royal Show. At this rate, I probably wont have it ready for the required cut off date to submit the project. Also, who knows what the shows will be like next year with social distancing, restrictions on public gatherings etc?

Working from home

Being at home for longer has been a good thing and a bad thing. I’m saving money by not travelling as much and the temptation to stitch more than working has been stronger than ever. As a compromise, I’ve stitched a bit before work – if the weather isn’t great for a long walk – and getting some stitches in at lunch time. This has helped me with sticking as closely as I can to the goal of 200 stitches per day to my project of the day, resulting in 200 stitches for each project throughout the week before I change the colour of the pencil. If I’m able to add 200 stitches to the project of the day and I’ve still got some hours before bedtime, I’ll make a start on another project that needs some attention.

Being too ambitious

Had I not been working, being able to work on 20 different projects for the month of May would be reasonable and achievable. I’m now appreciating why many people this year are choosing to do MonogoMaynia or doing a similar variation that makes it manageable for them – e.g. focusing on a page finish.

I really wanted to be able to work on 20 projects for this month and I still have time to be able to do it, as this particular post will be released on the weekend of 23rd/24th May. The pressure I’m putting on myself for this, if I choose to have 20 projects for May because of the year 2020, I need to be able to keep working on them and finish as many of them as possible. Preferably by the end of this year or May next year at the latest!

So what I’ll do for next year if I can, is to focus on smaller projects – preferably cards. By memory I had mentioned this at the start of this year, when I was talking about my plans for the year. Whether or not I stick to this is yet to be seen!

Wrap up

How are things going for you with Stitch Maynia? What version of it have you chosen to do?

Until next time,

Happy Stitching!

Related Reads

Posted in Uncategorized

How many secrets does your cross stitch hold?

Hi Everyone

I hope you’re all well.

As I’m writing this post, it’s Mother’s Day in Australia and restrictions are starting to be lifted a bit more and we’re starting to get some more normality back to our lives! If all goes well, hopefully by the end of July/early August, life will be as close to normal pre-pandemic as possible.

As a result of staying home a lot more, I’ve been trying to catch up on a lot of the Flosstube clips people have been posting and it’s been really nice seeing what people are working on and how they’re going. When I was partly watching and listening to a Flosstube clip, the person at the time said something that I thought was quite interesting and quirky. They are not a fan fudging their stitching. If they make a mistake in their stitching, they’ll frog it (undo the stitches) and re-stitch the correct amount. Because to this person, they see fudging a project as a form of lying and being dishonest. To me, this is admirable. They have the patience and integrity to correct their mistakes.

The biggest ‘secret’ of them all

Nearly every project I’ve worked on and finished has at least one mistake in it and I haven’t been bothered to fix it for various reasons. The biggest mistake I’ve made on a project has been quite recently and I’m contemplating whether or not to do anything about it. Below is the project that I’ve made the biggest mistake and when I realised what my mistake was, I couldn’t help but laugh at myself and wonder why I hadn’t picked up on it sooner! Can you see the mistakes I’ve made?

I can’t remember what the fabric count is. I used DMC’s varigated thread to stitch the project and the pattern was from …

The picture on the left is the finished project. The centre picture show mistake 1 and 2. The picture on the right shows mistake 3. When I was stitching this project – specifically the border, I made the novice mistake of rotated or turned the project based upon which side of the border I’m working on. So the picture on the right will show you that the direction of my stitches on the border is a different direction to the stitches in the centre of the project. You may also notice that the direction of my stitches at the top of the project (the centre picture) is different again and the width of the border is one row less than the other 3 sides. That’s because of my first mistake. When I started stitching the centre of the project, I had started it a row lower than I should have, which has thrown out the balance of how many rows I needed to stitch for the top of the border. If the rest of my stitches had been okay and the direction they should I have been, I could have added an extra row and some extra stitches to balance the border out.

How many secrets can a project hold?

If we don’t tell each other what our mistakes are and have a comparison picture of what it should be, does that make it a secret? Alternatively, if we show each other what we’ve done and show each other what it should look like, does it then become a ‘Where’s Wally?’ / find the mistake puzzle?

With my first HAED – ‘Moon Lit Waters’ that I’m working on, it will hold the largest amount of secrets and I’m totally okay with it! For anyone who’s been following my progress with this project, will know that it’s been a very slow work in progress! Over the last couple of years or so, I’ve been able to complete three pages and I’m starting on my fourth. The pictures below show my current progress, what it will look like at the end and the comparison shot of the cover sheet as a comparison of where I’m at:

Just before Stitch Maynia started, I downloaded the Moon Lit Waters pattern onto the Pattern Keeper app. I needed to purchase the PDF pattern to easily and honestly onto the app, as I’ve been working on the paper copy for too long and the edges are too awkward to send through the scanner.

One thing I had not anticipated or expected with this PDF is the updates and changes that the team at HAED and the associated artists have made to the pattern. I love that they have incorporated the new colours that DMC have released and I’m looking forward to incorporating those colours into the project when I get to it. What had me cursing and swearing as I was trying to figure out where I’m at on the pattern and marking off what I’ve completed. The symbols on the paper pattern have changed a little in comparison to the digital pattern and it means that I’m going to be doing a lot more fudging to make it all work!

When I’m done with the project, it will be for my sister and because of the nature of HAED’s, the odd colour being mis-stitched to me is not a big deal. I know that there are a lot of mistakes and fudging happening with the project and I’m okay with that. I’m going to continue using Pattern Keeper with this project because of the confetti in it and there being well over 100 different colours for it!

Now that I’ve rambled a bit about Moon Lit Waters and some of my challenges with it, have you found some of the secrets my stitching holds?

If you’re able to see any of the secrets, I am in awe of your eye sight! I know for certain where some of the secrets are, but my memory has faded a bit with what the exact secrets are. I’d like to think that I’ve blended them in well enough with the rest of the project, that it hasn’t thrown the intended design off at all.

What secrets do your projects hold?

As a stitcher, would you go back and fix it all up or would you leave it? Also, how honest are you with your stitching? At what point do draw the line and allow the mistake to remain in your project and you try to work around it?

Related reads: