I am an avid cross stitcher. I was first introduced to cross stitch when I was primary school age. Paused for while during my teens and then took it up again in my early/mid 20's and I haven't looked back.
To mitigate the amount of time I'm sitting down stitching, I'm a regular member of the gym and I'm a runner. To keep me motivated, I participate in short to medium length fun runs. Which at times feel torturous, but I feel really good at the end of them!
With these activities in mind, this blog is about the combination of my experiences with running and cross stitch and encouraging people to think differently about cross stitch - it's not just Grandma's who do this anymore!
There are a variety of ways we can celebrate our favourite movies, artists, songs, sporting teams, athletes and characters by creating bookmarks, quotes with beautiful borders and immortalizing through portraits to name a few. What’s inspired this post is some digital patterns I’ve recently purchased from Tilton Crafts Cross Stitch and Heaven and Earth Designs.
Where to get your fandom cross stitch
Who or what do you want to immortalise? When I’ve done some Google searches to see what’s out there, I’ve loved seeing the wide variety of options out there. I’ve found cute little caricatures of characters from popular television shows, famous musicians, sports stars and even your own family members and pets! Then there’s been the logos of various sports teams from various football codes, athletics, fishing, hockey (field and ice) and most other sports you can think of – let alone the action shots that go with those sports.
Full Coverage, realistic
Once you know this, you can then figure out how you want it to look. I prefer to have my fandom projects to look as much like the character or person as possible. This usually means that the project will be solid with at least some confetti stitching. An example of this is one of the patterns I purchased from Tilton Crafts cross stitch pattern of Robin Williams:
If you like this style of fandom, it’s definitely worth checking out their website to see what else they have!
Cartoons and smaller pieces
The less detailed the piece, the easier and quicker it is to stitch. But it can also mean a lot more back-stitch to give the detail it needs. I’ve found so many pieces on Etsy by many talented designers, heaps of different fandom cross stitch designs that will hopefully fit with your preferences.
HardKnotLife Studio for example, has a store on Etsy and they have created a beautiful cross stitch pattern based upon a watercolour picture of the four main characters of ‘The Wizard of Oz’:
If monochrome is more your style, you may like the next example by PitbullAndFish who also have a store on Etsy and have designed the following pattern titled ‘Jack Skellington Silhouette’:
The great thing with this type of pattern is that you can stitch it on whatever colour fabric you want and use whatever colour thread you want. For example, you might choose to stitch it on orange fabric with black thread, white fabric with variegated thread or any combination you want.
Samplers and getting wordy
Do you have a favourite quote from a movie, song, television show, sports commentator or something you heard or saw but you’re not sure who said it? This is where subversive cross stitch comes into play. The Clouds Factory for example, have some great patterns they have created based upon quotes from movies such as ‘V is for Vendetta’, ‘Hocus Pocus’, ‘Doctor Who’ and the rules from the ‘Gremlins’.
Alternatively, stitching iconic logos/emblems and images from your favourite show/movie/sport etc. with a few words are a great way to express your fandom. SewMarieStudio for example, is another store on Etsy that does just this and below are some examples of their awesome work:
How would you celebrate your fandom?
If you weren’t able to find any patterns that suited what you’re after, would you create your own fandom pattern? I’ve certainly considered doing this with some of the shows I love watching and converting some of the images I’ve found on the Internet to cross stitch patterns. I haven’t done anything yet and it would be for my own personal use. I would have no intention of re-creating the patterns for sale to make money.
By the time you’re reading this post we will be nearing the end of June and my boyfriend and I have had a weekend at the coast. It’s been a topsy-turvy few weeks for us – especially my boyfriend. In the space of two weeks, he was told that his contract was finishing at the end of June because funding had been cut. He was then told a week after the first phone call, that the project was too important and that funding had been re-instated for the project, as well as his contract! Whilst all of that was happening, his new car arrived and he was having all kinds of fun getting it registered in Canberra (it had been trucked up from Melbourne, Victoria – roughly 6 to 8 hours drive away).
Whilst the drama was happening for my boyfriend, I got to head down to the coast a couple of weekends ago on my own and catch up with my parents which was good. It had been about 10 years since I’d travelled to the coast on my own! I use to do the trip regularly on my own as a way of recharging my batteries and hibernating from the world. As much as I missed my boyfriend, it was good for him to have the thinking space he needed. Because he was able to decide what he wanted to do with the job loss (before we found out he’d been offered the job back) and make some really positive decisions.
Meanwhile, as I’m writing this post, the clouds are starting to come over and the rain we’ve been anticipating should be starting to make it’s self known. Which means that I should be getting some more stitching in. My friend and I have started up our stitch ‘n’ bitch sessions again as restrictions are being lifted even more in Canberra and surrounds. Our aim is to alternate between each other’s places on most Saturdays, with the flexibility of postponing it if we have appointments, are needing to/wanting to travel etc. It was a really good start to the weekend, because the hilarity leading up to our catch-ups, we had been living about half an hour away from each other, but were Skyping because of the social and travel restrictions 🙂
Since my last post about Jolly June and Stitchmas in July, I’ve been working on:
Gundaroo Mini Mushroom
Fight Like a Girl
Gundaroo Mini Mushroom designed by Kristen Gawronski
I know this has nothing to do with a Christmas theme. It is something that makes me happy as I continue to make progress with it. One of the things I found after working on it for so long, is that the pattern has the same symbol for two different colours! How on earth did I manage to miss that?! I’ve decided to go with the greener tone and it should blend in well.
Fight Like a Girl designed by Tanya Amity
Again, not a Christmas theme project and one that’s not bringing me much joy once I start stitching it. Some of the things that will help (I hope) is to put the project in a larger hoop. I’ve got so much fabric to deal with because of the size of the project, that if I have it in a larger hoop, I can roll the excess around it until I need to move the hoop. Similar to what people do with Q-snaps and scroll frames.
My other issue with the project is being tired when I’m stitching it. It’s on 18 count navy blue fabric and I’ve adjusted my light so that it’s shining from underneath rather than overhead. It’s helping a bit. But more sleep is definitely needed for when I work on it so that I don’t make as many mistakes when I’m working on it and mis-counting my stitches.
Candy Express designed by Shannon Wasilieff
I’m looking forward to eating some gingerbread when the season kicks in again. I’ve been having fun stitching it and I’m looking forward to finishing it as well! The two main things I’m dreading with this project is the back stitch and beads…As long as I keep reminding myself that it’s worth it at the end, it’ll be okay.
Christmas Owls designed by Jenny Barton
I’ve been working on this project most days for the last week or so and I’m really happy with how it’s progressing. My boyfriend was able to change the light in one of the rooms we hang out in, so that’s helped a bit with stitching at night. One of the things I’m looking forward to with this project is the glow-in-the-dark thread for the moon. It looks just like white DMC thread – either the Blanc or B5200 – and feels quite similar to the cottons. I’ll just have to wait and see how it is when I’m stitching with it!
Santa’s Coming designed by Durene Jones
Last week my aim had been to finish stitching the banner and my nephew Ryan’s name. I’m really happy with how this has worked out. I haven’t had to re-stitch his name and centre it, which I’m super relieved by! I’m already thinking that if I stitch this pattern again, I might change some of the colours to different shades or tones of what you’re seeing in the images below to make them bolder. The challenge will be making sure they don’t clash.
Autumn Castle designed by Evgenia Kolesnikova
I’ve slowly eased up on stitching this project. I’m still enjoying it. It has however become a little like the Fight Like a Girl project because of the amount of errors I’ve made with it so far. Something I really had not expected and I’m quite disappointed by the number of mistakes I’ve made with it so far because it’s on pink fabric and in a larger hoop! Like Fight Like a Girl, stitching on it when I’m tired is most likely the main reason why I’ve made so may errors with it. I’m just thankful that it’s a solid piece and that I’ve been stitching long enough to be able to blend my mistakes in with the rest of the project, without frogging it too much and it working out in the end.
Zebras by Design Works
I feel like I’m losing my mojo with this project, which I’m surprised by because it’s so colourful! Interestingly, the images below of the updated progress show just how stiff the Aida is – but that’s Aida to a tee! In the updated images, you may notice that the project isn’t in a hoop and it’s held its shape. I should have ironed the project before taking the pictures. I do like how the fabric frames what I’ve done so far. What do you think?
Every so often when I’m browsing through Pinterest I’ll come across some really cool subversive cross stitch that I think suits me to a tee. The one I recently came across is shown below:
Anyone who knows me well or has seen my desk at work, knows that to the untrained eye, my desk or home looks like a bomb hit it. To me, it’s organised mess and 90% of the time I know where things are. The question is whether you can wait about 5 minutes for me to get it to you?
The other subversive cross stitch I came across that makes me chuckle when I read it is:
My sense of humour can be quite dry at times and I try to use sarcasm to defuse a situation and lighten it. If my death isn’t caused by my sarcasm, it’ll be caused by my head being in the clouds and off with the fairies daydreaming, resulting in me not paying attention to where I’m going or what I’m doing!
Last year I went to a craft de-stash was held roughly every three months or so, that’s roughly a 20 minute drive away from where I live in Canberra, ACT. It was interesting to see what crafty things were for sale and it gave me an insight to what tools, patterns and projects were popular many moons ago. There were quite a lot of stalls that had various styles of stamps for card making or scrapbooking, quilting or dress making fabric, dress making patterns, some scrapbooking papers, folk art and knitting supplies.
As I’m writing this post and reflecting on the last paragraph, I realise I’ve talked about this a little bit in an earlier post about the possibility of our projects having a shelf life. However, this post is somewhat different because I’m curious about how our de-stashing will look like and be in the years to come.
Digital vs Physical De-Stash
Our craft is very much a tactile, physical thing that can be replaced with an electronic version, but it’s not the same. On the Internet there are apps that we can download and we can pretend that we are doing digital stitches by pressing buttons on our screens. What we love about our craft through, is feeling the fabric, the needles (as much as it might hurt when we poke ourselves!), the floss and holding the projects in our hands. We don’t have the glare of our screens – unless we’re using Pattern Keeper and it’s a different story then!
What I’m questioning here is how will our destash look in the future as we go ever deeper down the digital rabbit hole?
I love the PDF patterns that many designers and shops provide. I also love the instant gratification of being able to download the pattern as soon as I’ve paid for it and our current climate very well. But what if I want to move the pattern onto someone else? Especially if I’ve already stitched it or I have stitches remorse and my tastes have changed over time and I’m not interested in stitching the pattern any more?
For physical patterns and kits for as long as we’ve all been doing cross stitch, we’ve been giving away our stashes or selling them for a small amount of money to recoup the costs of the initial purchase. Theoretically, this should be the same for digital patterns – especially if they’re out of stock and the designer is unable to or not wanting to release or create more copies of the pattern.
Thankfully there are soooo many different ways in which we can connect via the internet and with the movement towards digital patterns for many of our crafty things, theoretically it’s easier to transfer or share what’s in our stash that we want to get rid of. A quick Google search has found a number of sites that could assist you with any stash you might want to get rid of. The two main sites I found was the Etsy Destash Market and Facebook Cross Stitch Destash Group.
The great thing with these two groups and many others like it is that it’s for anything connected to cross stitch that people have in their stash. Ranging from patterns and kits through to needle minders, fabric, floss or threads and anything in between!
On Flosstube I’ve heard people talk about Stitchy-kindness, where they have received some things in the mail from viewers and friends who had been thinking about them and some stitching related things that they might like. Similarly, I’ve heard people talking about exchanges or swaps that people have participated in that has enabled them to swap some threads for fabric or a pattern for a needle minder. Things like that.
Be aware of Copyright with your de-stash
Ninety-nine percent of us are honest people and we want to do the right thing (I think). When we are looking to move on some of stash – especially if it’s something that’s out of print, theoretically there should be no harm in asking for some money from our years of collecting and creating. Especially since the Facebook and Etsy links show people asking for some money for the stash they are wanting to move on. My point here is more about not to making a profit out of the re-sale if you’re not a business and trying to make a living out of it.
The conundrum is what can of worms am I opening up by mentioning copyright?
ThreadBare.com wrote a really good article on the legalities around this dilemma, published on 24th August 2017 titled “Cross-Stitching Legalities: Copyright, Artwork, Licencing and Copying.” It’s a really well written article and I’ve learnt a lot from it especially when Thread Bare talk about the Digital Millenium Copyright Act and the reason why there is such as big price difference between some of the websites that sell the PDF patterns. It’s important to note that Thread Bare are strong advocates for promoting the fair and legal use of images on the internet and ensuring that any images acquired for cross stitch patterns have been purchased from a licensed and reputable source.
It’s also important to note that if you find an image on the internet that you think will make a really good cross stitch pattern, I agree with what Thread Bare were saying in their article, and make sure you take all reasonable steps to try and find out who the artist is and seek their permission to use that image.
What do you think? What are your experiences with digital de-stashing? What do you think the future holds for the digital world and cross stitch?
Until next time,
How to host a successful Instagram destash – blog post by Blossom Heart Quilts. Posted in March, 2019. Whilst this post talks about the destashing of quilting supplies, the same principles could be applied to any craft – including Cross Stitch!
Crafters Destash – website. This may be an alternate option to using social media if you’re wanting to make space in your collection.
I hope you’re all well. By the time I publish this post, many of us in Australia will be half way through/nearing the end of our last long weekend until October. As quickly as those weeks and months will go between now and then, the prospect of there not being a long weekend to have a reprieve from the cold weather, work, life and anything in-between seems daunting. To help put things into perspective with the number of long weekends Australia has, most of ours tend to happen from Christmas/New Year through to June.
That said, in Canberra at least, the week that’s just ending has been my first week to go to the gym and start seeing people I have regularly trained with and seen in the gym face-to-face! I never thought I’d be so excited and happy about setting foot in the gym again and seeing everyone! Seeing some of my training buddies online via Zoom has helped with not feeling so isolated. But there’s something about seeing someone face-to-face – even if you can’t or aren’t meant to – give them a hug, just being around people and being able to start working out with gym equipment felt really, really good.
There’s also been a few times in the last few weeks where I’ve popped into work for a few hours here and there and it was nice to get out of the house. I didn’t enjoy feeling like a pack horse and lugging my work equipment between the office and the car. For cheaper parking, I choose to park my car about 5 to 10 minutes walk away from the office and carrying a laptop bag with the laptop, full keyboard, power cords, mouse and anything else I need gets heavy after a while. I’m estimating it all to be about 2 to 3 kilos. Which doesn’t seem like much, but it feels like 10 kilos by the end of the walk.
Now for the cross stitch stuff
In my last post, I hinted at how I was going to be able to work on some of my projects from Stitch Maynia that I hadn’t been able to spend as much time on. Taking inspiration from Stitch Maynia and Canberra moving well and truly into Winter, I’m aiming to make June and July as colourful and festive as possible. This means making June and July the months I can focus on Christmas related projects and projects that are colourful, make me happy and I really enjoy stitching.
It’s not going to be a nutty as what Stitch Maynia felt like. At the moment I’m going to be working on finishing the Christmas themed projects I started from the Ultimate Cross Stitch Christmas magazine/book, Volume 19 from 2018. The pictures below are the projects I had started working on – Candy Express and Santa’s Coming, designed by Shannon Wasilieff and Durene Jones.
Since last week, I spent a bit more time on Santa’s Coming and below is my latest progress. I may need to re-stitch Ryan’s name to centre it a bit more. The long line of crosses you see just above Ryan shows the full width of the banner his name is in. That said, I just need to stitch the apostrophe and the ‘s’, so it may balance it out!
I’ve also made a start on (and nearly finished) a project that I’ll make into a card or Christmas decoration called Let it Snow by Emma Congdon out of the Ultimate Cross Stitch Christmas magazine/book Volume 19 from 2018.
My reason for it being in dark colours is due to it being for one of my work colleagues who wears a lot of black at work and sometimes some pink. For this project I used the DMC 53 varigated thread. Unfortunately I can’t remember what the fabric count is because I’ve had this fabric for a while. I’m guessing it’s 28 count and I’ve stitched it two strands of thread over two ‘strands’ or squares of fabric.
I’m aiming to continue stitching the Let it Snow pattern a few more times in different varigated threads for my work colleagues so that I feel ready for Christmas time and surprise them. This is also pending that we’ll be all working back in the office!
Jolly June Stitching
Yesterday afternoon I started one of the projects I’d been wanting to start in May – Design Works ‘Zebras’. In my last post, I had called this project Colourful Zebras. That was a mistake on my part. This project is just called Zebras.
Since working on some Dimensions kits, I’m making sure I get into the habit of writing the symbols on the floss cards for any kits I work on. This has made the world of difference! The only sticky point I had with writing the symbols on the card for the Zebras was for two of the holes in the floss card, are two different colours. E.g. a blue and brown in one hole and a purple and green in another. Not a big deal, just something I hadn’t expected! Below is my progress as of 7 June 2020:
So far I’ve been able to stitch around a part of the Zebra’s eye that has a lot of yellow and orange and I’ve stitched a part of the pink on the second Zebra’s forehead and a part of it’s forelock.
For Christmas in July, my aim is to keep working on Candy Express and Santa’s Coming and the Let it Snow cards. My additional aim is to start on the following patterns – some of which I had kitted up and mostly ready for Stitch Maynia.
I’ve got this project kitted up and it’s designed by Jenny Burton. Her pattern is in The World of Cross Stitching magazine. Unfortunately I’m unable to properly tell what the volume number is or the year. I had bought it at the same time as the Ultimate Cross Stitch Christmas magazine/book near the end of 2018 at the Batehaven newsagency in New South Wales, Australia.
When Santa got stuck in the chimney
The design is by Emma Congdon out of Ultimate Cross Stitch Christmas book/magazine. I’m yet to kit it up. I like look of the design and the lettering in it so different to what I’ve been use to seeing in designs over the years. I’m curious about how the design process is for such lettering!
On the first day…
This design is by Rhona Norrie from the Ultimate Cross Stitch Christmas magazine/book. I’ve partially kitted this one up because some of the called for colours are being used in other projects.
I think this project and Christmas Cuddles will give me a run for my money with both of them being stitched on navy blue fabric! Thankfully I have a few other projects to alternate between and I have an awesome over-the-top light that will help a lot!
Well, that’s it from me for this week. Until next time,
I’m not sure about you, but I’m sad that Maynia is coming to an end for this year and a tad relieved. Towards the end I felt like I was trying to keep a number of plates spinning at the top of sticks, by trying to make sure I had spent enough time on all of the projects I had started during May or continuing to work on from previous starts.
Stitch Maynia Stats
In May, I started Fight Like a Girl, Candy Train, Who’s Been Good? and Autumn Castle as my new projects and continued with Moon Lit Fairies, Four Seasons Kittens, Gundaroo Mushroom, Barnyard Kittens and Three Dogs as my continued WIP’s.
Autumn Castle designed by Evgenia Kolesnikova
Most of my time was spent on Autumn Castle designed by Evgenia Kolesnikova. I think I’ve raved about this project before. What I’m loving about it is the colours and it’s something different to what I normally work on. But it makes sense that I’ve started working on something like this, because I love spooky things, ghosts and things relating to the supernatural/paranormal!
I was able to stitch about 884 stitches, which works out to being nearly half a page and I’m stitching it on 18 count pink Aida. When you look at the cover picture, you will see that I’ve started in the top left corner.
Gundaroo Mini Mushroom designed by Kristen Gawonski
I feel like I’ve been working on this project for ages. It doesn’t help that I’ve now got so many other projects to distract me! In May, I was able to work on it for 7 of the 31 days and I was able to get a total of 1000+! I’m actually quite surprised that I got so many stitches in because there were certainly times where I felt guilty for not stitching on this project and I some days I felt like I needed to guilt myself into stitching it because I really wanted to stitch the shiny new ones! The pictures below show my progress and what it will look like when I’m done:
For anyone who’s new to my blog and reading this for the first time, the special thing with this project, is that it’s my own design. The image on the right is a photo that I took on my parents farm at Gundaroo, NSW, Australia and using the software PC Stitch 11, I was able to convert it into a cross stitch pattern. The thing that I’m testing with this project is how well it will turn out on 14 count Aida. My additional aim with this project is to enter it into the Canberra Royal Show. Fingers crossed it gets there!
Fight Like a Girl Designed by Tanya Amity
I’ve really struggled with this project which is surprising me. I really thought that I would have an easier time with getting into it. The main challenges I have with it is the amount of fabric this project potentially needs, the colour of the fabric and how I’ve loaded the pattern into Pattern Keeper.
Tanya has been fantastic with providing me (and I’m assuming anyone who purchases the pattern) with 3 versions of the pattern – black and white without the back stitch and special stitches, a colour version without the back stitch and special stitches and a colour pattern with the back stitch and special stitches. Me not thinking, loaded the whole PDF onto Pattern Keeper and I’ve stitched myself up as a result! Pattern Keeper has done well to interpret the pattern the best way that it can and what I will need to do is see if it’s possible to separate the PDF into the 3 versions and see if that makes any difference for me. The biggest challenge with that will be the way Pattern Keeper interprets the key for the chart. At the moment, Pattern Keeper is able to highlight the symbol on the chart, but at the moment it’s unable to tell me what the corresponding thread colour is. So I’m needing to refer to the paper version and progress from there. Below are the pictures of my progress and the cover picture to show what it will look like completed:
I’m stitching this pattern on 18 count navy blue Aida and I’ve stitched 744 stitches according to Pattern Keeper. The pattern recommends 28 count Navy Blue Lugana. I haven’t figured out how much fabric that would be, but the fabric I am using (from Victoria House Needlecraft) measures 76cm wide by 79cm high. I figure that if I have roughly an 8cm border, I should have enough fabric!
You may notice in the image on the left that I’ve had to do some frogging as part of the struggles I’ve had with mis-counting. A lot of which is to do with me working on it when I’ve been a bit tired and awkward. Because there’s so much fabric (see image on the right), I tend to try and roll it up a bit and have the project up side down and I’m reading the pattern right side up. It’s a weird quirk of how I stitch sometimes, but it works – mostly!
Barnyard Kittens by Dimensions
I’d started this project what feels like ages ago and put it down for a while. When I’d first started it, I had made the wise decision of updating the floss holder by drawing the symbols on it.
This has helped me so much more than I had initially thought it would. The only reason why I need to refer back to the key on the pattern is when I need to check how many strands of each colour I need to use. And as I’m writing this, I’m making a mental note to add to the floss card, how many strands I need for each symbol. For many Dimensions kits, the number of strands per colour vary from 1 to 3. Sometimes 4. It can also vary in terms of the combination of colours. E.g. 1 strand of white and 3 strands of pink or 1 strand of black and 1 strand of light blue. This helps to create texture and depth to their designs. Below are pictures of how I’ve progressed and what it will look like at the end:
I’ve started in the middle of this project and 90% of the time I’ve stitched this during my lunch break when I’ve had the sun streaming in and it’s felt nice and warm on the couch. I’ve stitched a reasonable 891 stitches on the black 14 count Aida the kit came with. This is definitely one of those projects I need to stitch when I’m awake enough and with plenty of light!
Four Seasons Kittens by Gold Collection Dimensions
This project is taking a lot longer than it should to complete. One of my struggles with this project is that there’s not enough space on the floss card to update it like I’ve done for Barnyard Kittens. I could put all of the details on the other side of the card where there’s nothing printed…I probably should and will after this post!
Meanwhile, I’ve been able to get about 792 stitches in – about 137 of which has been back stitch – and when that’s compared with some of the other projects, my desire to stitch other projects shows! Below is my progress in comparison with the finished picture:
Santa’s Coming! – Designed by Durene Jones
This was a new start and a project I’d been eyeing off since September or so last year. The pattern is in the Ultimate Cross Stitch Christmas magazine/book (volume 19, 2018) that I picked up when I was at coast – before all of the bush fires and “fun” we’ve been experiencing.
I’ve decided to stitch it on some 14 count Aida that I purchased online from the Australian company Threaded Needle and unfortunately I’ve lost the slip that came with the fabric, so I’m not sure what the name of the fabric is. I’m using DMC threads to stitch the pattern and if all goes well, I will hopefully have it finished by Christmas this year!
When I get around to it, one of the challenging things will be stitching my nephew’s name instead of the name Angela, as you may see in the above image on the right. You may also notice with the fabric I’ve chosen to stitch on, is marbled green. This is how the fabric came and why I chose to purchase it.
So far, I’ve been able to stitch about 304 stitches…hmmm. I was not expecting such a low number. I can’t believe that I’ve neglected this project! But I have a plan…check out my next post and you’ll see what I have in store for it!
Candy Express! – Designed by Shannon Wasilieff
This project also comes from the Ultimate Cross Stitch Christmas book/magazine, volume 19, 2018. Every time I look at the finished picture in the book or when I’m looking at the pattern, I just want to eat it! It looks so yummy! That could also be my sweet tooth talking…
Like the ‘Santa’s Coming’ project, I’ve decided to stitch this on the same fabric – 14 count Aida, marbled green (My name for the fabric. I’m still not sure of the exact name). The pattern recommends the use of 28 count sky high evenweave. I have 28 count fabric, but I really like the marbled look the image in the magazine/book has, so that’s why I’ve chosen to go with the 14 count marbled green Aida.
During May, I was able to get 818 stitches done!
Three dogs – Designed by Luca S
I hope I have the designer right for this project. It’s an Anchor kit that I think I purchased through the Fox Collection website many moons ago and I had started it not long after I’d finished a fishing project.
I’ve had a love/grumble relationship with this project. I love that the fabric is pre-gridded. I’ve never stitched on anything like it before. What I’ve struggled with is the thread becoming too thin and breaking. A part of it’s my fault because I’ve had the thread too long for what this thread needs to be. The other thing I’ve struggled with is the background of the project. In hindsight I should have decided to go with half stitch because it would make it so much quicker. Then there’s the colours…so much brown! Especially after stitching some of my other colourful projects.
What I do like about this project is the pattern has been printed on A3 paper and it makes my life a lot easier to see the symbols. Which should mean that I’ve been able to get about 800 or so stitches in…but unfortunately no. I was able to get 631 in.
Moon Lit Waters – Artwork by Julie Fain, charted by Michele Sayetta, Heaven and Earth Designs
For anyone who has been following my blog for a while, will know that I’ve been working on this project for a long time – with limited progress to show for it. At the start of May I purchased the digital copy of this pattern and loaded it into Pattern Keeper. This has been a good thing and a bad thing. Pattern Keeper is awesome! If you haven’t tried it yet, I strongly recommend you give it a go.
The app has made it a lot easier for me to clearly see where the symbols are on the pattern for the colour I’m stitching at the time. I’m able to clearly mark off where I’ve stitched and frog areas that I’ve made mistakes on. What I hadn’t initially counted on, was the incorporation of some new colours that DMC had released within the last 12 months or so. This is where I have a small grumble and yet another page of my project will have a heavy amount of creativity going into it to balance out what I’ve already stitched with the areas that are yet to be stitched. The incorporation of the new colours has meant that the symbols have changed and what colours are stitched where has thrown me off balance by one or two stitches in some places and about 3 to 4 stitches in other places.
Thankfully with HAEDS, there are so many colours that make up the big project, that I can get away with a bit of creative license. And I end up being the only one at the end of the day that has an idea of what I’ve needed to change around. So without further adieu, below is what I’ve stitched during May and what the finished picture will be.
At the moment I have no idea how much I’ve stitched in May and because of how small the crosses are I’m not going to count them all. If anyone knows how I can find the monthly total in Pattern Keeper, please let me know!
Now that May is done and as I’m finishing this post, it’s 1st June 2020 I’m looking to figure out what I’ll do for June and the rest of the year. For June at least I’ll definitely keep working on the WIP’s I now have from May and I’ll stitch what I feel like stitching, rather than needing to keep the projects on a regular rotation.
This month I might also start some of the other projects I had wanted to start in May, but didn’t get around to it. The projects I have in mind are the really colourful ones and a spooky one:
This of course will most likely change. Especially since travel restrictions in Australia are slowly easing. I live in Canberra (aka the Australian Capital Territory (ACT)) – Australia’s capital – and we are surrounded by the State of New South Wales (NSW). As of today, Monday 1st June, we can now travel anywhere we want in NSW and as far as we want in NSW, as long as we abide by social distancing and health and safety requirements! This is huge news for everyone living in NSW and ACT because we can travel to the coast, go bush, go to the snow (when the snow fields open up in about a week or two) and anywhere in between.
What my boyfriend and I are planning on doing is going to the coast as soon as we practically can. We could travel today, but about half of Canberra will be travelling to the coast and we have to work tomorrow (we’re still working from home). Also the weather today is true Canberra winter weather! So we’d rather stay home and enjoy the warmth and comfort of our home and worry about the stresses of travelling later. Practically, we’ll most likely travel to the coast in about 2 weeks. This will give us enough time to get our logistics sorted out and it’s my brother’s birthday next week – Queen’s Birthday long weekend – and he has the coast house booked for that weekend. Lucky duck!
Before I completely wrap things up for this post, I just want to do a quick shout out to Jemma Jones, Dreaming in Aida. Thank you for mentioning me in your post from 17th May 2020! I hope you continue to have such awesome results in your Cross Stitch Diploma Course!
As I’m writing this post, it’s Sunday 17th May 2020 in Australia and we have about two more weeks until then end of May and a long weekend!
My experience with Stitch Maynia so far has been a whirlwind and I’m now appreciating why so many participants have been talking about making plans and rotations etc. When I’ve watched some of the flosstube clips on Stitch Maynia, I’ve admired people who have known which projects they’re going to work on which days and sticking to those plans. I’ve found that I can plan something within an inch of its life, but executing those plans is something best left to someone else. Alternatively, if someone else has planned something, for the most part I’m able to follow through on those plans. I’ve found that it’s a lot to do with the amount of energy I’m able to apply to either the plans or executing the plans – rarely both!
Progress so far…
With that in mind, a few weeks ago, I had written a post about Stitch Maynia and whether it was better to big, small or medium projects throughout May or to do a combination of all three. I’d also mentioned that I was going to to a mixture of existing WIP’s (works in progress) and new starts. I have been able to stick to that. I have changed a little in terms of what the new starts would be based on what I’m feeling on the day and my available supplies.
For my physical patterns, I’ve found it easier to use a coloured pencil to track which days I’ve stitched on a pattern and how much I’ve stitched. Below is an example of what I’ve done with some of my patterns:
What I haven’t done is properly track (at a quick glance) which patterns I’ve spent what time on and which ones need more attention or starting. I’m thinking that it may be easier to have a printed calendar style page stuck to the wall or a convenient place for me to use the coloured pencils to visually see what’s going on. Below is an example of what I think could work:
2 Gingerbred Train (Started – yellow)
3 Autumn Castle
4 Barnyard Kittens (coloured pencil) and Autumn Castle (coloured pencil)
6 Gundaroo Mini Mushroom (yellow)
7 Gingerbred Train (Cherry Red)
10 Gundaroo Mini Mushroom (Cherry Red)
12 Barnyard Kittens (yellow)
15 Fight Like a Girl (Pattern Keeper)
16 Moon Lit Waters (Pattern Keeper)
17 Gingerbred Train (Rose Red)
Example of calendar style as a visual tracker of what I’ve stitched
Meanwhile, I’ve seen that some people like to use something digital like a spreadsheet or pattern keeper. I’ve also seen some people use a project picker wheel spinner app to help them pick what project to stitch next.
I am using pattern keeper for some of my projects, where the patterns work for that app. What I’m trying to figure out is if the app can tell me when I’ve last worked on a pattern. If you know if the app has that feature and how I can get it to work, I would love to hear about it!
I’m thinking that the project picker wheel spinner app could be useful if I’m undecided about which project to stitch on next – especially when Stitch Maynia comes around next year!
What I’ve learnt…
Having enough tools of the trade
The importance of having enough hoops, needles and needle minders!
Swapping things around for the projects that I’ve not kept a needle, hoop and needle minder with has been challenging. So much so that within the second week of Stitch Maynia, I’ve lost the backs of two needle minders! Thankfully I’ve got some spare magnets that I had purchased a while ago to try and make my own needle minders and it’s made the world of difference.
I’ve also found that I’m starting to preference some of my newer projects for some of my older ones. Mostly because they’re new and exciting and I haven’t lost my interest in them yet. Which is a good thing and a bad thing. The bad thing is that the older projects are getting set aside for longer and one of my goals for the Gundaroo Mini Mushroom project is to have it finished, framed and ready for the next Canberra Royal Show. At this rate, I probably wont have it ready for the required cut off date to submit the project. Also, who knows what the shows will be like next year with social distancing, restrictions on public gatherings etc?
Working from home
Being at home for longer has been a good thing and a bad thing. I’m saving money by not travelling as much and the temptation to stitch more than working has been stronger than ever. As a compromise, I’ve stitched a bit before work – if the weather isn’t great for a long walk – and getting some stitches in at lunch time. This has helped me with sticking as closely as I can to the goal of 200 stitches per day to my project of the day, resulting in 200 stitches for each project throughout the week before I change the colour of the pencil. If I’m able to add 200 stitches to the project of the day and I’ve still got some hours before bedtime, I’ll make a start on another project that needs some attention.
Being too ambitious
Had I not been working, being able to work on 20 different projects for the month of May would be reasonable and achievable. I’m now appreciating why many people this year are choosing to do MonogoMaynia or doing a similar variation that makes it manageable for them – e.g. focusing on a page finish.
I really wanted to be able to work on 20 projects for this month and I still have time to be able to do it, as this particular post will be released on the weekend of 23rd/24th May. The pressure I’m putting on myself for this, if I choose to have 20 projects for May because of the year 2020, I need to be able to keep working on them and finish as many of them as possible. Preferably by the end of this year or May next year at the latest!
So what I’ll do for next year if I can, is to focus on smaller projects – preferably cards. By memory I had mentioned this at the start of this year, when I was talking about my plans for the year. Whether or not I stick to this is yet to be seen!
How are things going for you with Stitch Maynia? What version of it have you chosen to do?
As I’m writing this post, it’s Mother’s Day in Australia and restrictions are starting to be lifted a bit more and we’re starting to get some more normality back to our lives! If all goes well, hopefully by the end of July/early August, life will be as close to normal pre-pandemic as possible.
As a result of staying home a lot more, I’ve been trying to catch up on a lot of the Flosstube clips people have been posting and it’s been really nice seeing what people are working on and how they’re going. When I was partly watching and listening to a Flosstube clip, the person at the time said something that I thought was quite interesting and quirky. They are not a fan fudging their stitching. If they make a mistake in their stitching, they’ll frog it (undo the stitches) and re-stitch the correct amount. Because to this person, they see fudging a project as a form of lying and being dishonest. To me, this is admirable. They have the patience and integrity to correct their mistakes.
The biggest ‘secret’ of them all
Nearly every project I’ve worked on and finished has at least one mistake in it and I haven’t been bothered to fix it for various reasons. The biggest mistake I’ve made on a project has been quite recently and I’m contemplating whether or not to do anything about it. Below is the project that I’ve made the biggest mistake and when I realised what my mistake was, I couldn’t help but laugh at myself and wonder why I hadn’t picked up on it sooner! Can you see the mistakes I’ve made?
I can’t remember what the fabric count is. I used DMC’s varigated thread to stitch the project and the pattern was from …
The picture on the left is the finished project. The centre picture show mistake 1 and 2. The picture on the right shows mistake 3. When I was stitching this project – specifically the border, I made the novice mistake of rotated or turned the project based upon which side of the border I’m working on. So the picture on the right will show you that the direction of my stitches on the border is a different direction to the stitches in the centre of the project. You may also notice that the direction of my stitches at the top of the project (the centre picture) is different again and the width of the border is one row less than the other 3 sides. That’s because of my first mistake. When I started stitching the centre of the project, I had started it a row lower than I should have, which has thrown out the balance of how many rows I needed to stitch for the top of the border. If the rest of my stitches had been okay and the direction they should I have been, I could have added an extra row and some extra stitches to balance the border out.
How many secrets can a project hold?
If we don’t tell each other what our mistakes are and have a comparison picture of what it should be, does that make it a secret? Alternatively, if we show each other what we’ve done and show each other what it should look like, does it then become a ‘Where’s Wally?’ / find the mistake puzzle?
With my first HAED – ‘Moon Lit Waters’ that I’m working on, it will hold the largest amount of secrets and I’m totally okay with it! For anyone who’s been following my progress with this project, will know that it’s been a very slow work in progress! Over the last couple of years or so, I’ve been able to complete three pages and I’m starting on my fourth. The pictures below show my current progress, what it will look like at the end and the comparison shot of the cover sheet as a comparison of where I’m at:
Just before Stitch Maynia started, I downloaded the Moon Lit Waters pattern onto the Pattern Keeper app. I needed to purchase the PDF pattern to easily and honestly onto the app, as I’ve been working on the paper copy for too long and the edges are too awkward to send through the scanner.
One thing I had not anticipated or expected with this PDF is the updates and changes that the team at HAED and the associated artists have made to the pattern. I love that they have incorporated the new colours that DMC have released and I’m looking forward to incorporating those colours into the project when I get to it. What had me cursing and swearing as I was trying to figure out where I’m at on the pattern and marking off what I’ve completed. The symbols on the paper pattern have changed a little in comparison to the digital pattern and it means that I’m going to be doing a lot more fudging to make it all work!
When I’m done with the project, it will be for my sister and because of the nature of HAED’s, the odd colour being mis-stitched to me is not a big deal. I know that there are a lot of mistakes and fudging happening with the project and I’m okay with that. I’m going to continue using Pattern Keeper with this project because of the confetti in it and there being well over 100 different colours for it!
Now that I’ve rambled a bit about Moon Lit Waters and some of my challenges with it, have you found some of the secrets my stitching holds?
If you’re able to see any of the secrets, I am in awe of your eye sight! I know for certain where some of the secrets are, but my memory has faded a bit with what the exact secrets are. I’d like to think that I’ve blended them in well enough with the rest of the project, that it hasn’t thrown the intended design off at all.
What secrets do your projects hold?
As a stitcher, would you go back and fix it all up or would you leave it? Also, how honest are you with your stitching? At what point do draw the line and allow the mistake to remain in your project and you try to work around it?
Since I’ve started watching Flosstube, I’ve become increasingly aware of Stitch Maynia and each year I’ve been increasingly tempted to participate. because it looks like a lot of fun and I’m really good at starting a bucket load of projects! My challenge will be to finish everything that I start!
Based on what I’ve seen on the ‘Net and Flosstube, Stitch Maynia had started in May 2015 and based upon the year 2015, Stitchers were encouraged to started 15 new projects. The projects could be whatever the Stitchers wanted them to be and the aim was to get as many of those projects completed by the end of 2015. If Stitchers hadn’t been able to finish their 2015 starts by the time 2016 rolled around, they would need to include those WIP’s (works in progress) and whatever new starts they wanted to make up the 16 projects for 2016 Maynia. If Stitchers had completed all of their 2015 Maynia WIP’s, then they would be able to have 16 new starts for 2016 Stitch Maynia!
If I participate in Stitch Maynia this year, it would mean that I would need to have 20 new starts and I could start these in any which way I want – as long as they’re all started by the end of May.
Big versus Small Starts
Considering that there are meant to be 20 new starts this year, having 20 big starts may be overwhelming because of the amount of floss each project would need, where to keep it all, how to manage it etc.
Big Project Starts
Working on a big project is a challenge within its self because of the shear size of it, the amount of colours it may require, the length of time you need to spend on stitching it and that strong sense of achievement when you’ve finished it. To me, a big project is something that will take years to complete – especially if it’s the only thing I’m focusing on. Heaven and Earth Designs (HAED’s) are the first thing that comes to mind when I think of big projects. In some of my earlier posts, I’ve talked a bit about my progress on my first HAED – Moon Lit Waters.
If you choose to do at least one large project, check out the Pattern Keeper app if you haven’t already. It will let you know which designers are compatible with the app and if you’re trying to narrow down what to stitch, its compatibility with Pattern Keeper may be the decider!
If you choose to do 20 big starts as part of Stitch Maynia, the awesome thing is that not all projects need to have a bucket load of colours to give it that wow factor. One of the trends I’ve noticed with a lot of the Flosstubers is the amount of people who are in love with samplers – especially samplers based on or inspired by ones from over 100 years ago. Many of these samplers don’t have a lot of colours in them. Some of which are just mono-chrome or use variegated threads and make the most of the different hand-dyed fabrics available.
Another option for your big starts is to be part of a Stitch-A-Long (SAL) that releases patterns at the start of each month and by the end of the designated time frame, you will have a beautiful large piece.
To me, there’s something exciting about starting a new project – once I’ve decided on what I’m stitching and I have everything kitted up (unless I’ve chosen a kit). The excitement is in the new beginnings, fresh starts and seeing something come to life on the fabric. It also has bit to do with my attention span and getting the itch to start something new every few months or so.
Therefore, to me a small start is something I can complete within a week or two – a month maximum. It may just take me a while to fully finish it!
One of the things I really enjoy stitching are cards for various celebrations – even though I don’t stitch them very often. Partly because I struggle with fully finishing them as cards. However, with Stitch Maynia I now have the excuse to stitch a heap of Christmas and birthday cards and related paraphernalia! It may also prompt me to start some Halloween projects that I’ve been eyeing off for a while now and talked about in some of my blog posts.
The other cool thing with stitching cards is that I’m able to use some of the off-cuts of fabric I have floating around the house!
A bit of both?
Since there are meant to be 20 new starts this year, there’s nothing wrong with mixing it up and having a combination of big and small projects. Which means that you should be able to get a sense of achievement by the end of May because of the small starts being finished or nearly finished. And you should also be able to see a bit of progress with some of your bigger projects.
Theoretically, this will satisfy my need to stitch a mixture of small, medium and large projects. I’ll be able to continue working on my current WIP’s and get some small cards done. My main challenge will be deciding on what to start and when. I can plan something to the last inch of its life. My struggle point is putting those plans into action! Mostly because I’ve put so much time and effort into the planning phase, that in my mind I’ve already put those plans into action and I feel like my job is done. Funnily enough, I’m not always able to follow other people’s plans as well. There’s something about my need for independence and flexibility. There’s also an element of trying to follow something exactly and then there’s a change to my routine and I struggle to get back to the regular program.
But I digress…I’m still hopeful that I’m able to stick to the plans and projects I’ve put together for Stitch Maynia and that I can keep it flexible enough to keep me happy. The other thing that I’ll be testing during this maynia month is the use of coloured pencils on my paper patterns I can’t load into Pattern Keeper. My aim is to use a different coloured pencil for each day that I work on those patterns so that I can see how much progress I’m able to make. My goal is to stitch a minimum of 200 stitches for each medium to large project before I can move onto the next project. I’ve found that for most projects this is achievable because I’m able to spend a couple of hours at least on them, and for most projects I’m able to easily get the 200 stitches in!
I hope you’re all doing as well as you can at the moment. As I’m writing this post, it’s Good Friday and it’s been raining steadily for a few hours and it’s wonderful! I’m loving the sound of the rain and knowing that there’s barely a breeze to blow it all away. The Bureau of Meteorology (BOM) is predicting a range of 8 to 20 millimetres of rain! This is where I’m so thankful to be home to enjoy the rain, have Flosstube playing on the tv, be surrounded with my cross stitch stuff and be writing this post.
Meanwhile, by the time I publish this post, we will have experienced Easter and Australia and New Zealand will have celebrated/commemorated Anzac Day on Saturday 25th April. It will have been the first Anzac Day that Australian’s and New Zealander’s will not have been able to have special dawn services and parades that are typically held at National/State and Territory memorials. Many people however, chose to stand in their driveways with candles to hear the last post and special service being played online.
I have a love hate relationship with technology. It has made life 10 times easier for many of us until it stops working and something breaks! When technology is working, I love that I can still talk with friends and family over the phone or by using apps such as Skype and Zoom. Technology enables me to find out what’s happening around me without actually getting out there and “getting my hands dirty”. There’s a time and place for that and Bear Gryles will always be in the back of my mind when it happens!
Technology also means that I can catch up on what’s happening in the world of cross stitch. You Tube and similar applications has for many years, been a fantastic platform for all crafters to share with each other what we’re working on, what we’ve learnt and how to do things. Flosstube has also helped me come across so many other designers that I otherwise would not have known about, based upon my own interests and Google searches. Because of Flosstube, my stitching collection will continue to grow and I’m going to need a number of companies and individuals to sponsor me so that I can stitch on all of the things full time!
Things I want to stitch because of Flosstube…
Because of Flosstube, I want to stitch:
Many of the Halloween patterns from Autumn Lane Stitchery (available on Etsy);
Sky Blue Street by Soda Stitch Canada;
all of the colourful cats by Kitty and Me Designs (available on Etsy);
Fight Like a Girl by Tanya Amity;
Halloween Night by Alena Koshkina;
Fright Night by Lewis T Johnson; and
Colourful Zebras by Artecy Cross Stitch.
This is not an exhaustive list by any means. There’s still so many more I want to stitch that many Flosstubers have shown and talked about. Let alone the numerous patterns I have had in my collection for years that I haven’t started yet and the projects I’m currently working on!
I’ve always had an appreciation for nature and what it can offer – even though it’s a struggle to get me out there at times! If I can’t leave my home or I don’t want to venture too far, I love being able to sit out in my backyard and enjoy the sunshine. Or on days like today, I love being able to sit hear the window and listen to and watch the rain coming down nice and steadily. Also, without nature, I wouldn’t have some of the beautiful photographs I have on my walls. More broadly speaking, as cross stitchers, we wouldn’t have some of the beautiful projects to work on that have been inspired by amazing landscapes, animals and gardens the world has to offer.
Right here, right now
Mindfulness has been a big thing for many years and is more important now than it has ever been. What are you thankful for right now? What did go right for you today? Do you have a roof over your head? Some warm blankets and a comfortable bed? Do you have running water – hot and cold – and food in your pantry? Do you feel comfortable in the clothes you’re wearing right now? What sounds can you hear right now?
These are a lot of questions, but ones that I ask my self a lot and very similar ones as I’m putting one foot back into reality, to test the waters and remind myself that life is still pretty good!
My other ‘right here, right now’ moments tend to come when I’m going for walks with my boyfriend or I’m sitting out in the backyard or generally chilling out at home. I’m really lucky to live near some bush land and we have kookaburra or family of them that lives nearby. Some days we can hear the kookaburra laughing away or we’ve spotted it as part of our walks around the block. We also have a number of houses around the neighbourhood who have dogs and early in the morning or early evening (the typical witching hours!), the dogs will have a howling session. It’s awesome! The howling sessions always make my boyfriend and I laugh and it reminds me of my family’s Jack Russell, Russell. In Russell’s younger years, I would get to have a howling session with him whenever I arrived home at my parents farm or would head out there to visit. If Holly the Blue Heeler was around, she would join in and howl along too. These sessions would always make us laugh and howl along with them.
Many years ago I use to dream about what I would do if I won the lottery. Like many people, I would have done the standard things like travelling, buying a house, sharing it with family and friends and make some donations.
Now, I still dream of travelling, but it involves taking a year or so off work to do it and road tripping to many parts of Australia I’ve never been to or I want to see again. I’ll still have my moments of wanting to hibernate and needing a few days to recharge the batteries. Which will work out perfectly, because that would enable my boyfriend to go fishing and I can get a bucket load of cross stitch done.
Saving time and money
As much as I miss the freedom at the moment to be allowed to go out and do whatever I want (within reason), I am not missing the journey I have to take to get to work and paying for parking. On average, I pay $39 per week for parking and however much money it is for fuel consumption and the general wear and tear my car experiences when I drive it. Additionally, I’m not missing what my imagination does to me when I’m walking through Civic when it’s dark to get to the gym. In my mind, I worry about people jumping out at me from the shadows and being assaulted in whichever shape it may be. Civic is the centre of Canberra and a central location for many homeless and low income people to be, because of the services that are available to them. Towards the end of the working week, Civic is also known to be the location for people to go to unwind, catch up with friends at the pub or a food place. So, early Thursday or Friday mornings at Civic can be an interesting place to navigate (especially in the warmer months) because of the number of people recovering from the night before. Being a short female, and keeping an eye out for potential dangers isn’t fun! I’ve been lucky to not be severely impacted by this. I have had the occasional encounter with someone asking me for money and they’ve been good when I’ve told them I don’t have any on me.
That said, as you can see in the image above, Civic can be pretty at night if you forget about any of the dangers that the location may have. For about a week each year, we have an event called Night Fest, that encourages people to come out at night and experience Civic and nearby locations under different lights.
Because of this stress, time and money saving, I’m able to sleep in a bit and go for more shorter walks with my boyfriend and we’re able to meet in the kitchen for tea/coffee and lunch.
What about you? What are some of the things you’re happy to be missing out on? What have you been able to do as a result of what’s happening at the moment?
I hope you’re all going well. I’ve been working from home for the last two weeks or so and I’m finding that I’m not as inclined to be in front of the computer as much. I’m also finding that I don’t even want to go near my craft room unless I’m working now. But I digress…
I’ve been watching a bit of flosstube and I’ve fallen in love with Autumn Lane Stitchery. Cassandra and her husband Aaron are awesome. Aaron’s the designer of all of their patterns that are available on their Etsy store. I absolutely love all of the Halloween themed designs they have and I’m keen to start stitching some of them when we get closer to October! Below is one of their recent flosstube episodes to give you a bit of a taste what they’re like.
One of the things that I’ve been mulling over for a while now, and Autumn Lane Stitchery have reminded me of this question – how important it is for the project cover sheet to be stitched?
Digital Cover Sheets
I’d never really thought about it too much until Java Girl Stitches talked about one of the patterns she stitched by Shannon Christine Designs (two examples are shown below that I’ve purchased).
From a design and small business perspective, I understand that it may not be possible for businesses to pay someone to stitch a model, or wait for the model to be stitched before the patterns are released . I’ve also found that from stitching perspective, if the cover image is really cool, then I won’t care if it’s not been stitched. I’m placing enough trust in the designer to convey the way the finished picture is meant to look, that I’ll purchase the pattern and stitch it.
A similar thing can be said about photos that have been converted to cross stitch. On some of the social media groups I’m part of, some people have shared their progress of projects from photos and they look really good! Jan Hicks is one example, where she has converted some of her travel photos to cross stitch patterns – aka Jan Hicks Creates. Other examples include Cross Stitch Collectibles and Mystic Stitch. The images below are from the Mystic Stitch website.
Stitched cover sheet
For the majority of the time I’ve been stitching, I’ve only known cover sheets to have a stitched image on it. For example, below is the cover of a pattern that’s currently in my WIP (work in progress) pile.
When I started stitching, seeing a stitched image would give me really good idea of whether or not I’d be able to stitch it. It seems strange to say that because in theory at least, any pattern can be stitched. It’s just a question of how long it will take to stitch it! What I’m finding as time goes on, is I’ll gauge a picture by how much back stitch is in it versus how big the project is and how much confetti stitching it may have – e.g. a HAED.
Being able to see the actual stitches (rather than the digital stitches) helped me in my early years to see how the stitches needed to look. Also, aside from following the pattern, seeing the finished picture helped to reassure me that I was on track, and that my finished project looked as close as possible as what it was meant to be.
I’ve found that at the end of the day, it doesn’t matter if the cover page is stitched or digital. The most important thing is what the picture is of. The picture needs to jump out at me and make me want to stitch it. It could be because of the colours or the theme – e.g. Shannon Christine’s Craft Room picture. It could also be because of the main subject – e.g. a cute puppy sitting under a Christmas Tree.
What do you prefer – a digital cover image or a stitched one? Does it matter? Why?